Posted in Uncategorized on April 30, 2012 |
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Rachel Mwanza as lead in Canadian filmmaker Kim Nguyen's "War Witch" the sole five star movie shown at Tribeca and the Festival's clear masterpiece.
by Sam Juliano
As I write this brief lead-in at 11:40 P.M. on Sunday evening, April 29th, I will admit being bushed and completely spent after a torrid week at the Tribeca Film Festival in Manhattan, a venture that once and for all has cast serious questions about my sanity. Still it was a time I entered the portal to world cinema with a hands on resolve and a determination to see all the feature films that had received the most sterling word of mouth, glowing anticipation, and ultimately the awards given by the Tribeca jury and the audiences. With Lucille in tow for most (and Broadway Bob for some) I took in 18 feature films over this past seven-day period, making for a grand total of 28 for the festival. With only a very few exceptions, I managed to watch just every must-see, and feel qualified to post a list of what I felt were the 10 Best Films of the TFF, a venture that will be up at the site tomorrow morning. I had intended on posting it today over the diary, but I spent most of Sunday cleaning up at Tribeca, seeing some vital films that had won awards, and weren’t negotiated in the hectic schedule proper over the past nine days. I have much to say, and WitD readers will get the full report and the top ten with capsule reviews in the morning.
At The Movie Projector R.D. Finch inches closer to his upcoming William Wyler Blogothon, which will surely get the world-class treatment in the hands of the passionate and gifted movie writing veteran. At Wonders in the Dark, Dee Dee’s sidebar interview with European poet Claudia Schonfeld has been enormously popular with readers. The site regulars, including Bob Clark with a terrific piece on Daren Aronofsky’s The Fountain, Jim Clark with a stupendous essay on the Japanese Teshigahara classic Woman in the Dunes, Jamie Uhler with another extraordinary posting in his ‘Getting Over the Beatles’ series, and Allan Fish with an utterly-engaging piece on the screen legend Jane Greer, has all kept the site moving along full throttle. (more…)
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Posted in Uncategorized on April 25, 2012 |
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Copyright © 2012 by James Clark
This widely recognized to be surreal film (from 1964) less widely but no less magnificently reveals an Impressionist infrastructure about its climb toward the “more real.” It does so, right from the first frames, first coming to microscopic and delicate focus upon the skeleton of an insect and then a cluster of grains of sand of various shapes, shadings and textures. Then it gives us a universe of sand, a tidal roll of sand dunes, caught from various perspectives and in various intensities of sunlight, some of them melding land and sky into a radiant void. The steep ridges and their gentle patterns drawn by winds through the eons tease us toward some species of regal sufficing. (more…)
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