by Sam Juliano
October 1st. Time does march on. Seems like summer just ended yesterday. Now it’s time to visit our local pumpkin patch, dust off our horror movie shelves and start thinking ‘sweater’ when we leave the house for work. If you live in the right areas, it’s a time when Mother Nature sports her prettiest clothes, and Jack Frost starts to spread his own kind of seasonal greetings. The Major League baseball season has only days to go and both New York Yankee and Baltimore Orioles fans are beside themselves with the tension that comes with a deadlocked pennant race. Football has it’s own kind of problem these days with the men in the stripes, but it appears a settlement is imminent. The presidental election is a little over a month away, and for the first time Wonders in the Dark will take a stand publicly and urge its American readers to cast their votes for President Obama and Democrat candidates in statewide races and for congressional seats on November 6th. It’s no secret that the membership at this place is liberal, and even our European kin have no use for GOP policies and challenger Mitt Romney. I’ll leave the rest for the comment section if such a dialogue should come about, but otherwise there will be more commentary as we get closer to Election Day.
At Exodus 8:2 Jaimie Grijalba ’s 100 day ‘horror countdown’ continues in force and is the product of remarkable resilience. Dee Dee continues to report new signatures in the ongoing ‘John Garfield Challenge’ venture that is aimed at convincing DVD and blu-ray production companies to honor the great American actor with a box set of his most seminal works. The trio of Dee Dee, Lori Moore and Barbara LaMotta have secured written approval from fans all over the world, many of whom have penned glowing testimonials to the cinematic icon. The regularly updated report page can be acessed on the sidebar under Garfield’s photo. Dee Dee has reported as of Sunday that a total of 403 signatures have been collected to date! On last week’s MMD several of our regulars reported watching some Garfield features, no doubt inspired by all the attention being showered on the actor as of late.
There’s no writer out there who is on a greater roll as of late than our friend Jon Warner at Films Worth Watching. Jon’s two-review-a-week output has covered some of the most venerated screen classics and each is written with superlative skill and passion. Film buffs are urged to take advantage of what Jon has been treated the community with as of late, and it appears the winning streak will be continuing well into the future. Jon’s last four reviews were fantastic assessments of The Steel Helmet, The Wind, The Scarlet Letter and L’Argent. Here at Wonders in the Dark the comedy countdown continues to matrch forward with some marvelous writing from some of the net’s finest writers. We are now within hailing distance of the half way point, meaning all the truly great subjects are upcoming.
Another moderate week at the movies for Lucille, Sammy and I (Broadway Bob was as usual with us for the Saturday night feature:
Looper **** 1/2 (Saturday night) Union Square Cinemas
Investigation of a Citizen Above Suspicion (1970) **** (Friday night) Film Forum
For Heaven’s Sake (1926) **** (Monday night) Harold Lloyd at Film Forum
A surprisingly inventive futuristic thriller about outlawed time-travel, the aptly titled LOOPER does a more than respectable job in connected the dots in a myriad plot structure whose intricacy does nothing to dim the film’s exceptional emotional and intellectual heft. Directed by Rian Johnson, the film is set in Kansas in 2044 and features spirited performances by Bruce Willis and Joseph Gordon Levitt and more than able support by Paul Dano, Emily Blunt, Jeff Daniels and the youngster Pierce Gagnon who gives an electrifying turn as the young boy. The computer generated images are often striking and the film has you thinking more and more the following day. I’d go as far as to say it’s one of the best American films of 2012, and I went in expecting very little. Go figure. Rather than go the spoilers route I will say no more and await the comments from others.
Elio Petri’s Italian language 1970 film INVESTIGATION OF A CITIZEN ABOVE SUSPICION brings together police activism and state violence in an explosive mix, and as it’s based on actual events it carries additional weight. FOR HEAVEN’S SAKE is not one of Lloyd’s absolute best but it’s wonderfully engaging and a repetitive set piece midway is a real gem.
Here are the links:
In his spirited new post at The Dancing Image titled “October and beyond” Joel Bocko lays out some grand plans in ressurecting his wonderful film site: http://thedancingimage.blogspot.com/2012/09/october-and-beyond.html
Samuel Wilson’s superlative essay on Sergio Corbucci’s seminal spaghetti western “The Mercenary” leads the way at Mondo 70: http://mondo70.blogspot.com/2012/09/the-mercenary-1968.html
It’s birthday celebration time at Speaking From the Heart and there’s a crowd of people who are toasting the ever-popular Laurie Buchanan, who is seen here in some priceless photos: http://holessence.wordpress.com/2012/09/25/daylights-burnin/
Tony d’Ambra’s newest post at FilmsNoir.net is a brilliant concise essay on 1941′s “Johnny Eager” with Robert Taylor, Lana Turner and Van Heflin: http://filmsnoir.net/film_noir/johnny-eager-1941-just-another-hood-i-guess.html
In one of the most moving of all posts Terrill Welch pays tribute to her grandfather at the sublime Creativepotager’s blog: http://creativepotager.wordpress.com/2012/09/17/morning-walk-along-the-stuart-river-a-tribute-to-my-grandfather/
Jon Warner has penned a stupendous review of the celebrated Korean War film by Samuel Fuller – “The Steel Helmet” at Films Worth Watching: http://filmsworthwatching.blogspot.com/2012/09/the-steel-helmet-1951-directed-by.html
In Tokyo our good friend “Murderous Ink” has posted Part 8 in his superlative “Films of 1949″ series examining Japanese cinema at Vermillion and One Nights: http://vermillionandonenights.blogspot.com/2012/09/the-dark-side-of-nation.html
Posting at Only the Cinema on September 24th, Ed Howard’s sensational essay on Abel Gance’s 1928 silent masterpiece “Napoleon” is essential reading for all serious cineastes: http://seul-le-cinema.blogspot.com/2012/09/napol.html
Dee Dee offers up petition co-founder Lori Moore’s own take on a John Garfield classic over at Darkness Into Light: http://noirishcity.blogspot.com/2012/09/john-garfield-in-nobody-lives-forever.html
Sachin Gandhi has posted a spectacular post on the Calgary International Film Festival at Scribbles and Ramblings: http://likhna.blogspot.com/2012/09/ciff-2012.html
Judy Geater has penned a terrific review of William Wyler’s Desparate Hours for the “Universal Backlot Blogothon” at Movie Classics: http://movieclassics.wordpress.com/2012/09/15/the-desperate-hours-william-wyler-1955/
John Greco has penned a wonderfully engaging review of Roy del Ruth’s “Employee’s Entrance” with Warren William at Twenty Four Frames: http://twentyfourframes.wordpress.com/2012/09/21/employees-entrance-1933-roy-del-ruth/
Shubhajit Lahiri has penned a typically brilliant capsule review at Cinemascope on Stanley Kramer’s “Judgement at Nuremburg”: http://cliched-monologues.blogspot.com/2012/09/judgment-at-nuremberg-1961.html
Roderick Heath has again raised the bar with a spectacular essay on a “Star Wars” film at Ferdy-on-Films: http://www.ferdyonfilms.com/2012/star-wars-episode-vi-return-of-the-jedi-1983/15948/
David Scheicher seems to profess divided feelings in his brilliantly-written review of “The Master” at The Schleicher Spin: http://theschleicherspin.com/2012/09/21/the-cause-of-love-and-war-in-the-master/
At Exodus 8:2 Jaimie Grijalba continues with his “100 Days of Terror” with a great review of 2012′s “Gyo” which placed at No. 69: http://livingincinema.com/2012/09/29/looper-2012/
R.D. Finch has written a splendid essay on 1965′s “The Ipcress File” at The Movie Projector: http://themovieprojector.blogspot.com/2012/09/the-ipcress-file-1965.html
Kaleem Hasan offers an engaging post at Satyamshot titled “Shahrukh in Conversation with Yash Chopra”: http://satyamshot.wordpress.com/2012/09/27/shahrukh-in-conversation-with-yash-chopra/
At The Listening Ear Weeping Sam offers up some splendid insights on both “The Master” and “For Ellen”: http://listeningear.blogspot.com/2012/09/the-master-and-such.html
One of the net’s finest writers, the exceedingly talented Jason Bellamy has written a fantastic essay on Paul Thomas Anderson’s “The Master” at The Cooler: http://coolercinema.blogspot.com/2012/09/touching-void-master.html
At Patricia’s Wisdom our friendly host offers some seasonal culinary and sensory delights: http://patriciaswisdom.com/2012/09/the-fragrance-of-fall/
The comment section under Kevin Olson’s superlative essay on “The Master” at Hugo Stiglitz Makes Movies makes this presentation a must read for film fans: http://kolson-kevinsblog.blogspot.com/2012/09/the-master.html
At the Coffee Messiah’s blog the indominable Michael Harford features a collage on cultivation: http://coffeemessiah.blogspot.com/2012/09/cultivate.html
Craig Kennedy has penned at terrific review on “Looper” at Living in Cinema: http://livingincinema.com/2012/09/29/looper-2012/
Stephen Russell-Gebbett has posted another thought-provoking piece, this time on 2010′s “Burning Bright” at Checking on my Sausages: http://checkingonmysausages.blogspot.com/2012/09/burning-bright-2010.html
At The Seventh Art our friend Just Another Film Buff (Srikanth) has penned aterrific capsule review of “All That Jazz”: http://theseventhart.info/2012/09/09/ellipsis-64/
David Lawrence, thjat erudite and personable educator from the U.K. features a poster of a Hammer classic at his new site Musings and Meanderings: http://1mouth2ears.wordpress.com/2012/08/12/movie-posters-1-dracula-has-risen-from-the-grave-1968/
Brandie Ashe happily announces a “Singin in the Rain” giveaway at True Classics: http://trueclassics.net/2012/08/10/singin-again-plus-a-giveaway/
Roderick Heath has posted a terrific new review on “Chronicle” at This Island Rod: http://thisislandrod.blogspot.com/2012/07/chronicle-2012.html
At Patricia’s Wisdom, a laudatory post titled “It’s my ball and I am leaving the game” leads the way: http://patriciaswisdom.com/2012/09/its-my-ball-and-i-am-leaving-the-game/
J. D. LaFrance has penned a terrific piece on Tony Scott’s “The Last Boy Scout” at Radiator Heaven: http://rheaven.blogspot.com/2012/09/the-last-boy-scout.html
The esteemed Film Doctor, a professor on Film Studies at a southern university, has written a fascinating piece on P.J. Anderson’s “The Master” at The Film Doctor: http://filmdr.blogspot.com/2012/09/the-master-s-whip-lash-8-notes.html
Adam Zanzie has posted a terrific “alternative Sight and Sound list at Icebox Movies: http://www.iceboxmovies.blogspot.com/2012/08/my-alternative-sight-sound-list.html
Jason Marshall has continued his superb coverage of 1942 at Movies Over Matter with a wonderful post on his Best Actor choice for that year: Chishu Ryu: http://moviesovermatter.com/2012/08/09/chishu-ryu-in-there-was-a-father-best-actor-of-1942/
Peter Lenihan has written a superlative essay talking about two films: “Dredd” and “Savages” at The Long Voyage Home: http://thelongvoyagehome.blogspot.com/2012/09/double-feature-dredd-savages.html
At Doodad Kind of Town Pat Perry has returned from hiatus, and discusses upcoming plans: http://doodadkindoftown.blogspot.com/2012/09/what-do-i-have-to-say-for-myself.html
At The Blue Vial Drew offers up an arresting “Freeform Phantom”: http://thebluevial.blogspot.com/2012/09/freeform-phantom.html
At The Last Lullaby, the ever delightful filmmaker Jeffrey Goodman takes a look at part sixteen of his long running quartet series: http://cahierspositif.blogspot.com/2012/04/favorite-four-part-sixteen.html
Stephen Russell-Gebbett at Checking on my Sausages again offers up a brillinatly-creative feature on ‘Sport as the Perfect Fiction”: http://checkingonmysausages.blogspot.com/2012/08/sport-is-perfect-fiction.html
Tony Dayoub takes a look at the summer’s Barnes and Noble 50% off sale for Criterion collectots at Cinema Viewfinder: http://www.cinemaviewfinder.com/2012/07/criterion-summer.html
Greg Ferrara at Cinema Styles talks about the Colorado shootings in a moving feature: http://cinemastyles.blogspot.com/2012/07/the-dark-knight-shooting-in-colorado.html
Jeopardy Girl talks about her “least favorite film” at her wonderful new series at “The Continuing Saga of Jeopardy Girl”: http://jeopardygirl.wordpress.com/2012/09/03/2-my-least-favourite-film/
Hokahey takes a fascinating look at “Looper” at Little Worlds: http://hokahey-littleworlds.blogspot.com/2012/09/looper-glossary-of-terms.html
Dave Van Poppel has a tremendous batch of short reviews up at Visions of Non Fiction on the Toronto Film Festival: http://visionsofnonfiction.blogspot.com







Wow I just returned from the Central Washington State Fair and I have to say that the drive there and back over Chinook Pass and the stunning beauty of Mt. Rainier was the only moving I watched this weekend. We had a brown bear run across the road right at Lake Tipsoo and right in front of us. We were cheering on all the bicycle riders that were tackling the pass on 2 wheels, huge panoramic cliffs on each side as they switch backed their way up and down the pass. It was 81 degrees in Yakima, and 41 by night – oh those desert breezes and 54 at the pass and now 71 when we get home…
We pressed cider with our own apples and met with our favorite orchardists who remain Organic – We saw the full moon rise over the foot hills and through the continuing forest fires ( 240 in all) which are finally being contained – from the top of the sky ride…
I too have had to put a sweater on –
I read the wrong book for this week and had to put in a 12 hour marathon to finished the correct choice. Reading in the car is not my forte, but I did it. One can win a copy of this book for a comment…on my Oct 1 review at Patricias Wisdom….I think it would make a suburb Holiday gift to give… and a fabulous movie….
I have put Looped on my list…sounds remarkable too…and I like futuristic looks too Thanks for the recommendation.
Patricia–
I’d take THAT kind of moving anyday my friend! I can only dream of passing through the Chinook Pass and taking in the magnificence of Mount Rainier! But then the bears coming near the car may be a bit close for comfort! Ha! Our family well remembers bears brushing against our car during a past trio to the Safari at Great Adventure in central New Jersey. Yes, you have some drastic day night temperature fluctuations there, and as we move forward through the autumn I’m sure it will be even more pronounced. As far as pressing cider from apples that’s another venture I envy you for my friend! And organic is the best kind. Ah the scenic view in the great state of Washington. Very saddened to hear about the destruction wrought by those forest fires though. I’ll definitely check in that post at PATRICIA’S WISDOM! Sounds like a great prize! Yep, I am recommending LOOPER with the highest praise. Thanks as always and have a great week my friend!
Sam, I liked LOOPER a lot as well. In particular I thought the first act was really exceptional; gritty, cerebral, filled with bold visual and narrative ideas and just filmed with a ton of muscle. It definitely deflates a bit once it settles into more conventional thriller territory, but even still there’s always some nifty things being done with the camera, and the story moves along so well. If nothing else, Johnson has an excellent sense of pacing, and this was easily one of the leanest two hours I’ve ever sat through.
As for the rest of my weekend viewing, I watched three movies for the first time and loved all of them: Phillipe Garrel’s REGULAR LOVERS, Johnnie To’s THE MISSION, and John Ford’s THE HORSE SOLDIERS. The last is the one that’s most stuck in my brain right now; it doesn’t really work as a character drama and is only marginally more successful as a war actioner – which I think at least in part accounts for the lukewarm reputation that follows it around these days – but it’s one of the most perfect, total monuments to southern landscape and ambiance that I’ve ever come across, and in its own way it’s as beautiful and emotional as anything from Ford’s late period.
Regular Lovers is one of my all-time favorite films.
I haven’t seen The Horse Soldiers in forever but the cinematography is just unreal–very much comparable to what was accomplished in She Wore a Yellow Ribbon. Clothier is one of the western genre’s greatest DPs; his CV is immaculate–Track of the Cat, Seven Men from Now, etc.
Peter I know you’re a huge Garrel guy, he’s someone I have a lot to catch up with. Before this all I’d seen were two of his earlier experimental works, Le revelateur and The Inner Scar, and I liked both of them pretty good, but Regular Lovers was definitely a whole other ball of wax and moved me very much. I look forward to jumping into him further.
Word on Clothier, his work is absolutely second to none. I don’t know if you’re on Blu-ray yet or not, but the MGM release of Horse Soldiers is exceptionally beautiful and very affordable and region free.
Drew—
Your superb, beautifully written analysis of LOOPER is most welcome here. I must agree that the first act is stunning in particular, and I thought the last fifteen minutes was visually arresting, though it was clear that Johnson kind of painted himself into a corner. Still, the narrative was destined to reach that denouement in any event. But I can’t agree with you more on the pacing, and the fact that this was one of the quickest two hours on record. This was confirmed on a second viewing, which I negotiated late last night with my two oldes boys who weren’t with us on Saturday night. I’ve never seen Johnnie To’s THE MISSION (must remedy that) but I know the other two films quite well. I agree with both you and Peter that REGULAR LOVERS is masterful stuff! Far greater than Bertolucci’s THE DREAMERS, containing some austerely beautiful and authentically gritty monochrome by another very great cinematographer, William Lubtchansky, the film superbly presents youth dislocation with poetry that rightly leaves nostalgia on the cutting room floor. As far as William Clothier, he is indeed an upper-tier cinematographer in every sense. I had teh same issues with HORSE SOLDIERS but still found it visually breathtaking. Clothier’s work on CHEYENNE AUTUMN is extraordinarily beautiful, and he has long been celebrated as DP on THE ALAMO and THE MAN WHO SHOT LIBERTY VALANCE. I recently saw TRACK OF THE CAT at the Film Forum for the first time and was treated to more Clothian wonderment. That blu-ray Peter mentions of HORSE SOLDIERS is mighty tempting! Thanks do much Drew for the fantastic submission. Have a great week my friend!
Hi Sam,
the best movie I saw this week was Mikio Naruse’s A Woman’s Story (1963). Fairly hard to track down but I think it’s one of the director’s greatest, honestly–it’s so sad but I can think of very few films that are able to depict war as such an active force defining and shaping the attitudes and actions of the civilians who live through it.
Peter—
Despite hitting a 2005 Naruse Festival at the Film Forum real hard, this particular film was not included on the otherwise comprehensive lineup. Wow, you saying it’s one of his best? And that terrific framing has me hoping that I’ll get the chance to see this, perhaps before the site’s 1963 voting kicks in. I will do some investigating now. Thanks as always my friend. have a great week!
Wow Sam I’m speechless. Thank you for mentioning me in this way it’s a great honor and I really appreciate it.
Sounds like you really liked Looper. It looks like it has the makings of being really solid and I’m pleased that you received it so well. I will be seeing it soon no doubt. Haha as for the political side of things….I will let that dog lie….not that I’m endorsing Romney or anything crazy like that.
Well I saw The Master. It is one of the strangest films to get a wide release like this in recent memory…..I suppose The Tree of Life comes close. It is certainly nearly a must see just for the acting alone. I found I could not take my eyes off Phoenix and Hoffman. They were rather mesmerizing and some scenes will certainly stay with me for a long time. Anderson distances the film from the audience quite a bit though. Most scenes are off-kilter: odd setpieces, grandiose speechifying, cryptic dialogue etc. There is no sense of “normalcy” here or “comfortable” film watching. This is not a bad thing per se. However, it is a distancing sort of effect on the audience, therefore I never gravitated to it from an emotional standpoint. I mean some scenes grip you, but overall the effect is removed from me. This is likely on purpose I suppose…but I think this is why people are looking for something grander in the subtext. I’m not sure there is anything here that we aren’t privy to. Sure you can look at Master/Servent or Healer/Patient type themes, or the progression of man, or an examination of addiction, or buried homosexuality etc. I’m just not sure any of these themes are explored fully enough for the whole thing to come together. It will be one of the best films of the year, but it falls short of masterpiece for me.
Up this week I will be re-exploring Rohmer’s Moral Tales and also hoping to see Kurosawa’s Red Beard for the first time. Have a great week Sam!
Jon—
I much appreciate that nice way of handling the presidential election broaching! Ha! And I do know you’d never do anything crazy like that even though the gent is a neighbor of yours. I’d wager even money you’ll connect with LOOPER, but we’ll have to see. It is of course playing in multiplexes all over as you know. Good point about THE MASTER recalling TREE OF LIFE as a rather off radar wide release. I agree with you on Phoenix and Hoffman. They were absolutely brilliant without question, and some scenes remain unforgettable. As I’ve stated more than a few times I do need to take in a second viewing. Cryptic is a very good word for many of the goings-on here, and I’d agree some set pieces are off-kilter. Yes it is emotionally distancing, and this is what worked against it for me, and like you at this point keep it from masterpiece level. If any film is so naggingly problematic I just can’t rally to endorse it to the level that others have. LOOPER is clearly a greater film (for me) and more likely than THE MASTER to make a year-end ten-best list. Wow, you’ll be especially busy with those Rohmers! Enjoy! Thanks as always and have a great week my friend!
Hello Sam and everyone!
I’m departing tonight to Valdivia, a gorgeous city for the Valdivia International Film Festival, so I’ll keep it short and sweet. First of all, thanks so much for featuring my blog and talking about my 100 days of Horror. I shall be posting a daily post on an unseen film by me that I’ll watch that same day during all October (au contraire the 69 prior days that had long time brewing posts that found their way into the public for its horror characteristics).
I’m preparing and I wish you and the people on the site the best, don’t worry, I’ll find time to visit here and there, leave comments as I always do, and of course, do the deed that has been assigned to me for this week.
My week movie wise:
- Faust (1926, F.W. Murnau) ****1/2 A classic silent horror film about moralities and other issues, since I was in doubt about the issue of departing to Valdivia, I decided to watch one film early so I could be a little ahead of time if anything comes out. I’ll have more to say about this in the post for tomorrow tuesday.
- Female Workers Leaving the Factory (2005, José Luis Torres Leiva) **** Chilean short film that was described as being one of the 10 favorite films by Apichatpong Weeresethakul. It’s a moody dialogue-less piece that is more evocative in the emotional and intelectual sense than in the visual, even if it does bear some visual beauty here and there. A good 15 minutes.
- Raising Arizona (1987, Coen Bros) ***** Now, why would I ever watch this film? Ha!
- Premonition (2004, Norio Tsuruta) ***1/2 Japanese horror film that I reviewed at my site for the 100 Days of Horror, you can read it there.
Yeah, I had little time for movies as I finished a first draft of my script and went to my girlfriends birthday party. Anyway, take care Sam, have a good week!
Jaimie—
I wish you a great trip to Valdivia, which I know from a discussion with you by IM just an hour ago is 12 hours by bus! It’s surely an exciting time for you, and even with all your present writing responsibilities I look forward to a full report of the films you expect to take in. I’m not sure if that Festival will showcase any special events but I’d wager you have some good things lined up there. This will be a week you’ll remember for a long time, and I know you probably have been smiling the last few days! I’m going to google Valdivia in a few moments in fact! I’ll be shooting a few e mails as well over the coming days! I’ll look for the review of PREMONITION at the horror countdown, and I do know you are a huge fan of RAISING ARIZONA and will soon be covering it. I have not seen Leiva’s film, but agree Murnau’s FAUST is masterful, a silent era treasure by any standard of measurement.
Here is a link to some important information about the Valdivia International Film Festival:
http://www.festivalfocus.org/festival_view.php?uid=786
Looks like it’s 484 miles heading south from Santiago to Valdivia. Quite a ride my friend!
Have a great time my friend! You’ve earned it ten times over!!!
Sam, I’ve read nothing but wild praise for ‘Looper.’ Hope to see it this week with Sue. Reminds in a way of ‘Inception’ from last year.
Looks like it all comes down to a three game series with the Red Sox for the Yanks. I am not too thrilled about this picture, even with Baltimore facing a desparate Tampa Bay team.
Peter, the match-up actually favors the Yanks. Tampa will be playing their hearts out. Boston is down and out, but it’s true they can be spoilers against the hated New Yorkers. You may have a point after all.
Hope you see LOOPER sooner than later Peter, and I do believe Sue will love it.
Peter and Frank: The Bosox could offer a lethal blow to the Yanks if the latter are not at the top of their game.
Thanks as always my friends!
Sam – Thanks for the link! I actually got another post up late yesterday and feel like I am finally getting back in the groove!
I hadn’t been much interested in LOOPER, but I’m hearing so many great things that I think I must check it out.
It’s been a slow week here for movie viewing. We watched Carol Reed’s THE FALLEN IDOL on TCM the other night which we both enjoyed – at that’s about it! I am looking eagerly forward to seeing LAWRENCE OF ARABIA on the big screen this coming Thursday; I’ve never seen it in a theater, which means I’ve never really seen it.
I’m also reading Penny Marshall’s autobiography MY MOTHER WAS NUTS, which is entertaining and a bit eye-opening. She manages to name drop on every page without being obnoxious (she’s apparently good friends with over half of Hollywood’s A-List) and she’s almost shocklingly nochalant in her reminisces of drug use (skiing in the Alps with Carrie Fisher while on magic mushrooms is but one of many, many examples). Interesting tidbit: after she concluded A LEAGUE OF THEIR OWN by showing the actual women’s league players visiting their Cooperstown memorial in the present day, her friend Steven Spielberg asked if she’d mind if he used the same kind of ending for SCHINDLER’S LIST.
Pat—
I will be paying a visit to DOODAD KIND OF TOWN ASAP! Happy to see the update! I’d be most curious to see what you make of LOOPER. I was so pleasantly surprised with it, I must say. I’m a huge fan of Reed’s THE FALLEN IDOL, and great to hear you and Marlon appreciated it so much! Yep, that LAWRENCE roll-out is nationwide and it will be an amazing treat! I saw it years ago at Manhattan’s Ziegfeld, and it’s was a night I never forgot. Ha, I love the title of Penny marshall’s autobiography! Nothing like coming right out, assuming that it is a literal allusion. Love the Spielberg anecdote! Ha! Looks like Penny came up with a ‘brilliant’ idea there! In any case sounds like a riveting read. Again, delighted to see you are back in print my friend. Have a terrific week and many thanks as always.
Sam –
Here in the midwest, Mother Nature is, indeed, flirting with us — shamelessly showing off petticoats of vivid oranges, reds, and yellows.
As a person who very much enjoys the idea of time travel, I’m excited about your wonderful opinion of LOOPER — I’m on it like white on rice!
As always, thank you for pointing to Speaking from the Heart.
Ha Laurie, I absolutely love that sensory framing! I must say I do prefer this tease than the ire of Father Winter. For all sorts of reasons the Fall is my favorite of seasons. If you are a time-travel fan Laurie, I am thinking the imaginative often brilliant LOOPER will hold you captive! Definitely hard to turn away from. Thanks as always my friend, and I wish you and Len a great week!
Right on Sam! Obama/Biden 2012!
What school teacher would vote the other way I’d like to know?
Frank, you’d be surprised at the number of schoolteachers who have come out for Romney, but yes, it’s a minority number. Most WitD readers will no doubt stay away from this discussion completely and I can’t say I blame them, but I still wanted to bold enough to comment on where was own vote was going.
Sam, I suppose those Teachers for Romney aren’t necessarily voting self-consciously as teachers, but I suppose some may hate their union for some reason. Meanwhile, it looks like you missed Won’t Back Down, and I looked forward to whatever opinion you might have of that picture….
Anyway, the “rather long” picture I embarked on last week was The Human Condition, and while I still have Part 6 to go it has not disappointed. In fact, it’s gotten better as it goes along. Interesting affinities with American concerns, especially a certain obsession with “Reds” within the ranks. Nakadai will be harder to deny as the film comes up for further consideration, but in my eyes he was topped for 1959 specifically by de Sica in Rosselini’s Generale Della Rovere. The film as a whole has a kind of sell-out feel from the director and sports some awful process work, but de Sica as the rogue-turned-martyr holds it all together. Not much time to watch much else. Mercenary was my mobile Neflix film of the week, and apart from that there was Fejos’s Broadway, which is the latest review at the blog, and Mann’s Men at War, with knockout work from Robert Ryan and Aldo Ray.
I empathize with anyone’s opposition to Mitt Romney and the Republican party, but our dependable fear of the GOP doesn’t really put much pressure on Democrats to do much for the country, does it? The two-party system puts too many of us in a state of fearful dependence on the Democrats (not the kind Republicans rail against) that the party happily exploits. If all we can hope to accomplish at an election is save ourselves from Republican rapine, it inspires little confidence in American politics or American progress. Don’t let that deter you from voting for Obama, but let’s at least acknowledge that we need more options than the establishment allows us.
Samuel–
I can only really attest to the teachers in New Jersey, and their ire is aimed at Republican Gov. Chris Christie, a brazen and arrogant politician who enacted his “revenge” on the unions for sending out a letter urging parents to support his opponent a few years back, then Governor Jon Corzine. Facing serious fiscal crisis, the GOP governor worked hard to win approval of salary caps, lower pension numbers and a sharp increase in teacher benefit fees. As a resuly there isn’t hardly an active teacher in NJ who is speaking well of the Republican Party in general, though the national elections really have little to do with the situation at home. I have not yet seen WON’T BACK DOWN, but will do some investigation as soon as I finish here with your comment and with Jaimie’s. You speak of Nakadei and De Sica in 1959, but what about Jean-Pierre Leaud, Cary Grant and Chalton Heston my friend? Ha!…..just kidding!……..those two gave great performances. I saw MEN AT WAR at the Mann Festival a few years ago and I do think it’s a war film masterpiece! Will look at your review of BROADWAY, though I know it’s a far far cry from LONESOME.
Your last paragraph? Well, I guess it’s an embrace of the ‘less of two evils’ philosophy. I well understand and don’t dispute that teh current system will never seriously allow or promote for a choice that is remotely satisfying, and one who delivers on promises. Still for quite a few reasons I don’t see myself voting for a Republican candidate for the White House.
Thanks as always my friend! have a great week!
Sam ,how did you like Gian Maria Volonte in ‘Investigation of a Citizen’? Such a great actor.
Mark, +1 on that. I liked him quite a bit in the film, and am happy to report that this was the fourth time I have watched him on a Film Forum screen in the past few months following his memorable turns in three spaghetti westerns by Leone and Corbucci (A FISTFUL OF DOLLARS, FOR A FEW DOLLARS MORE and A BULLET FOR THE GENERAL) I remember him too from Melville’s LE CIRCLE ROUGE and from SACHO AND VANZETTI.
A thoroughly commanding actor.
Sam, you posted Samuel Wilson’s link for Jon! Thanks for the link above. I’ll leave the political discussion to others; suffice to say, few parties have deserved defeat – not just on policy, but on the arrogance they display toward the very voters they should be courting – as deeply as this year’s GOP. I hope it gets its just desserts.
Joel, thanks for the heads up! I did change it this afternoon when I read this post, though I am just now getting back here. Telling observations on the political situation. I see a few others on this threat have made their positions known too, though I quite understand that this is a movie and culture site, not a political one. But with the presidential election around the corner, and the occurance only once every four years the last one was held at the time WitD was barely two months old) I figured broaching it wouldn’t be too objectionable. I am a former Democratic county committeeman here in my home town and served four years on the Board of Education as part of a ticket supported by Democrat candidates. My youngest brother, who is now 42, has served as the town’s Democratic Municipal Chairman for nine years, so we have this thing here. But Samuel Wilson’s telling comment about neither side providing any solutions is one that’s tough to refute.
Thanks as always my friend. have a great week!
Thanks for the link, Sam… I only saw a couple films this week – last weekend, I went to the closest showing of The Master – this week, I found the 70mm version – holy crap. That is a perfectly ravishing thing. The blues… my lord…. And I saw Looper – which I liked well enough as it was unspooling on the screen, but I’m sorry to say, it began to fade very quickly once I got outside. Even before it was done, I was ticking off the film references, and starting to care more about trying to figure out who was playing young Jeff Daniels than about the story (which seemed a foregone conclusion long before it got there)… Kind of a shame, since there’s so much right in the detailing, but the overall film got more and more familiar the longer it went.
Weeping Sam–
I still need to make good on my promise to take in a second viewing of THE MASTER. I definitely agree with you that (as Allan says) the 70mm is really the dog’s bollocks! Can’t deny either that is very good part of that film is visually ravishing. There are a number of other films that released in 2012 that were awarded considerable praise that gave me the experience you are describing here, but it not happened with LOOPER for me. In fact I appreciated the second viewing on Sunday night a day after the first a bit more. But I agree if those feelings do arise the film didn’t make such a strong impression. As Drew notes above, while he did like the film quite a bit, he also notices that ‘familiarity’ you describe. As always my friend I much appreciate the excellent comment. Have a great week!
Sam, I’m very keen to see ‘Looper’ after reading your description – trying to persuade other members of my family now! I rather wish I’d seen it instead of Joe Wright’s ‘Anna Karenina’, which I went to see yesterday and found something of a disappointment – it has its moments, but didn’t live up to my high expectations of a film from Wright with a script by Tom Stoppard. I may just have been in the wrong mood for it, of course, plus there was something wrong with the print at my local multiplex, which froze several times… and I do think it is very hard to get the essence of Tolstoy’s enormous novel in a single film. I didn’t really rate any of the leads except for Jude Law as Karenin – strange to see him playing the old and plain husband, but it works. Which is more than can be said for all the soft-focus sex scenes.
The only film I got round to seeing at home was ‘Boudu Saved from Drowning’ – really great. Just to add that my son Max and I appreciate the current site header after Saturday’s episode of Doctor Who, which was a great one. Thank you for the plug, and wiishing a good week to all at Wonders.
Judy–
I’m also disappointed to read this less-than-stellar assessment of ANNA KARENINA, what with Wright and Stoppard in collaboration. The condition of the print did not help things along, but it’s clear from what you say that there are some issues here. I found out it doesn’t open stateside until the second week of November. I’ll probably check it our anyway as I was a big adherent of Wright’s ATONEMENT, but I’ll certainly keep your reservations in mind. Yep BOUDU SAVED FROM DROWNING is a Renoir/Simon masterwork, and was quite pleased at it’s appearance on the countdown. Great to hear you watched it July! And also great to hear the praise for Allan’s DOCTOR WHO header! Have a great week my friend! Many thanks as always!
Time indeed does march on. Seems so relevant especially when one thinks back about the various phases of one’s life (schooling, graduation, post-graduation, etc.). During those periods, they might have seemed unending, but now, they all seem to have passed by in a whisker. Great line, Sam, to begin this post, and yes, thanks a lot for the kind mention as always.
Great that you’ve made a special mention of Jon. He’s most certainly a terrific writer & one of the most ardent cinephiles one can hope to meet. Unfortunately, I haven’t managed to be a regular at his wonderful blog (or any blog for that matter, apart from, to some extent, WitD) in the last few months.
Anyway, I’ve managed to watch the following in the past week:
- Battleship Potemkin – yeah, I know, I watched it only now, despite this being one of those “must-watch-if-you-call-yourself-a-cinephile” movies
- Clint Eastwood’s The Outlaw Josey Wales – I reckon (to use Josey Wales favourite phrase), this might be Clint’s second best film after Unforgiven. What’s your views on that?
- A fine Bengali film called Dekha (directed by Goutam Ghose) from early last decade – comprising of an interesting central performance by Soumitra Chatterjee (you might remember him as Apu in The World of Apu, as well as from a number of other Satyajit Ray films)
Shubhajit—
Thanks so much for the opening compliments. I do often wax nostalgic as the time moves forward. As you note the passage of time is deceptive, and spent before you have a chance to take stock. Yep, Jon is quite a guy in every sense, and we are all lucky to have met his acquaintence and subsequently forged a good friendship. Understandable how it’s tough to get around though. I of course consider POTEMKIN to be a masterpiece, and as far as Eastwood, I do indeed rate THE OUTLAW JOSIE WALES among his very best films, probably with LETTERS FROM IWO JIMA and UNFORGIVEN. I do remember Chatterjee from THE WORLD OF APU, and hope to get a chance to see DEKHA, which you offer some considerable support for here! Thanks as always my friend! Hope you have a relaxing week!
Sam,
Thanks for the mention.
Last week, I went to see Film Noir Specials at Cinemavera, Shibuya. BOB LE FLAMBEAR (1956), THE GREAT FLAMARION (1945), THE BIG COMBO (1955). BOB LE … was the only 35mm projection of the three, and other two were DVD peojected on screen.
Even under such a dismal state of presentation, the theater was more than full, many sitting on the isles to watch these rare noirs (in Japan). Since I had seen THE BIG COMBO with a stunning 35 mm print in U.S., I was a bit dissapointed. I could see the theater did as much as they could with this DVD material, but John Alton’s “black magic” was not as spine-shivering as I remembered. I am quite sure the quality would improve with higher resolution, and better equipments, but these theaters will find it more difficult to invest more. They have to have box office revenue like last weekend every week to keep their doors open. Film noir is a big draw, I’m quite sure. Other noirs in the Cinemavera program were, OUT OF THE PAST, THE SCARLETT STREET, THE BIG HEAT, NIGHTMARE ALLEY, DETOUR, D.O.A., YOU ONLY LIVE ONCE, THE HITCH- HIKER, RED HOUSE and some French noirs like DES FEMMES DISPARAISSENT, QUAI DES ORFÈVRES. Somewhat skewed toward independent, low budget titles, maybe due to copyright issues…
In any case, still, I loved Mann and Lewis, and Melville.
MI
MI—
This is quite a promising report for the state of film and film noir among audiences interested in leaving the box. I could well understand why the screening of THE BIG COMBO would be a disappointment after you had seen a gorgeous 35mm print stateside, and why the Melville would look the best. And yes of course John Alton’s arresting cinematography could only be truly appreciated on film. And wow, what a planned line-up there with OUT OF THE PAST, SCARLTT STREET, YOU ONLY LIVE ONCE, THE BIG HEAT and some other classics! Can’t blame you for loving Mann, Lewis and Melville either! I really hope this problem will prove to be a sustained hit! Thanks as always my friend!
Sam, thanks so much for the great mention.
I still need to see LOOPER. Sounds very intriguing. I also want to see the Petri film you mention.
This week, I saw SENNA and INTERNATIONAL HOUSE. I was very happy to see them both but was particularly moved by the former. I just found it unusually cinematic for a documentary and the real-life footage quite incredible.
Thanks, Sam, for all that you do. Here’s to another incredible week!