by Sachin Gandhi
The phrase “Love is Blind” is thrown around so much that it has become a cliche. However, in the case of Preston Sturges’ perfect comedy The Lady Eve the phrase actually sticks. In fact, the film is a literal depiction of the phrase because love causes the protagonist Charles (Henry Fonda) to blindly ignore all obvious evidence in favor of his heart; not once but twice.
One can understand Charles tripping over love’s heel in the first instance because encountering the delightful Jean (Barbara Stanwyck) after spending a year in the Amazon is not really a fair match-up, especially since Jean has planned to seduce him. Jean wouldn’t have noticed Charles but he inadvertently makes himself a target not only for her but all the other woman on a traveling ship. When Charles is able to halt a traveling ship to get on board from his private boat, he alerts everyone that he is someone important. Jean, along with her father ‘Colonel’ Harrington (Charles Coburn) and Gerald (Melville Cooper), learn that Charles is wealthy due to his family brewery business, Pike’s Ale (The Ale that Won for Yale). The trio are professional card sharks and make a living out of conning people. So, a wealthy person like Charles becomes an instant opportunity. Charles’ wealth also makes him attractive to every other woman on the ship, who try to get his attention, but he is not impressed by any of them. However, Jean trumps them by getting Charles all to herself. Of course, it does not take much effort for Jean to win over Charles. He is intoxicated by her perfume and with a few maneuvers, including getting him to kneel down to put a pair of shoes on her, she gets Charles light headed and blurry-eyed. Charles’ bodyguard Muggsy (William Demarest) suspects a trap is being laid out by Jean and the Colonel but Charles ignores Muggsy’s warning, especially since he wins $600 off the Colonel and Jean. In an expected turn of events, Jean also starts to fall for Charles and plans to settle down with him to leave her criminal past behind. She even tries to minimize Charles’ loss in the next round of cards against her father’s plans. When she leaves the card table, Charles asks the Colonel for permission to marry his daughter. The Colonel has no problems with their relationship and uses the marriage topic to con $32,000 out of Charles. For his part, Charles is not bothered at such a loss because of his family wealth which increases with each passing second: “everytime the clock ticks, 14 people swig a bottle of pike”. After acquiring the Colonel’s permission, Charles proposes to Jean on a moonlit deck and she genuinely accepts his offer. Colonel Harrington finally believes his daughter’s seriousness and asks her to wait to reveal the truth until they get off the ship in order to preserve his and Gerald’s dignity. In the meantime, Muggsy’s investigations uncover a photo where Jean, Colonel and Gerald are documented as professional card players. Charles feels betrayed and does not give Jean a chance to explain matters. She is heart broken and wants revenge as they disembark the ship and go their separate ways. (more…)
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by Richard R.D. Finch
“All you need to start an asylum is an empty room and the right kind of people,” millionaire Alexander Bullock (Eugene Pallette) remarks to a friend near the beginning of My Man Godfrey. For the next hour and a half the movie sets out to illustrate that quip, using Bullock’s two daughters, his wife, and their social set as its prime examples. As hard as he tries, Alexander Bullock isn’t ever able to introduce any sanity into his eccentric family, but a mystery man played by William Powell is. Powell is Godfrey Smith, a homeless man living in a packing box at the city dump who is claimed by both Bullock daughters, Cornelia (Gail Patrick) and Irene (Carole Lombard), in the film’s famous opening, where the two are competing for the last item they need to win a society scavenger hunt—a real Forgotten Man. Godfrey doesn’t respond to the imperious Cornelia, but he does take an immediate liking to her sweet, slightly ditzy younger sister and allows himself to be claimed by her. Irene, elated at besting her domineering sister for once, in turn takes such a shine to Godfrey that she impulsively hires him as the new family butler. For the rest of the movie we follow along as Godfrey becomes embroiled in the antics of this nutty family that practically embodies the expression “the idle rich.” (more…)
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Posted in Uncategorized on November 26, 2012 |
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Two screen caps for the THE LIFE OF PI, a ravishing action/animation hybrid that all matters considered is one of the most breathtaking films of 2012.
by Sam Juliano
Turkey Day is behind us now, with the focus has shifting to gifts, decorations and greetings cards. This is the time of the year when everything happens so quick that you only need to blink your eye and the new year has arrived. To be sure it’s always an exciting time, especially for the film lovers and culture mavens, who are invariably treated to some of the most prominent works of the calendar year. Just as the film fanatics fervently discuss Lincoln, Silver Linings Playbook and Anna Karenina, the focus has now shifted to The Life of Pi, Rust and Bone, The Central Park Five and Hitchcock. Then things really accelerate with the upcoming releases of Killing Them Softly, The Central Park Five, Zero Dark Thirty, The Hobbit, Django Unchained, Hyde Park on the Hudson, Amour, and Les Miserables. Tom Hooper’s musical, based on the beloved and long-running Broadway show, was screened for critics in New York and Los Angeles on Friday night, and the response has been rapturous. Some key insiders are saying they wept, cheered and were bowled over, and that the film is clearly the film to beat for the Best Picture Oscar and some critics’ awards. As one who always names this show as one of my favorites, and like so many others adores the score, I can only say I am all smiles on these early reports, though there are obviously some other films here to salivate for including the long-awaited Amour, which Allan has given a five star rating to in a still-to-be-published review. In any event i want to thank our dear friend Dee Dee for again adorning the site’s sidebar with a lovely Thanksgiving reference point and greeting for viewers! She has kept the holiday spirit in full force at WitD for over four years running! (more…)
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