by Sam Juliano
Some of the most beautiful days of the entire year around the metropolitan area were enjoyed at a time when sweltering heat usually confines most indoors. Yet, breezy, low-humidity low 70’s weather defined most of the past week. The hottest days of the summer are set for later in the week, though an immediate cold front will restrict that rise to only a couple of days.
Labor Day barbecues are being planned, while for some the school year is set to start the day after the holiday. September looms. And the Fall season inches closer. The marathon Romantic Countdown continues to move forward. It is two-thirds complete, and will roll on until October 6th.
This past week was not much of a movie going week for the first time in quite a while. Lucille and I did see one new release, LUCY, and also wound up seeing THE GIVER for a second time, to appease my cousin Robert McCartney, who was hot to trot to see it. Continue Reading »
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by Stephen Mullen
There’s no romance like a doomed romance, and no one does doomed romance like Kenji Mizoguchi. Couples form, usually ill-considered pairings, and they suffer – and suffer and suffer and suffer some more. Though not always together – women suffer more than men, usually for the benefit of men, who go on to better things because of the suffering of a woman; think of The Tale of the Last Chrysanthemum, or Ugetsu, for that matter. But that is something that distinguishes Chikamatsu Monogatari from the rest. It is a tale of doomed romance, and the lovers suffer, they suffer indeed – but they suffer together, and, by Mizoguchi standards, the ending (this isn’t exactly a spoiler, since the film is also known as The Tale of Crucified Lovers) is a positively joyous one. They die, yes, but they die together.
It is a convoluted tale, set in 17th century Kyoto, derived from two classic Japanese authors, Chikamatsu and Saikaku. A woman, Osan, is married to a printer – the Great Printer of Kyoto. She has a useless brother who begs money from her, but her husband is a cheapskate; her husband also lusts for a maid, Otama – who pines for Mohei, the printers best employee; Otama tells Ishun (the printer) that she and Mohei plan to marry, hoping he will leave her alone – it backfires, and he just grows jealous. Mohei, meanwhile, is kind of Osan, who asks him for help for her brother – he is glad to get her money, but he has to embezzle it to get it. A co-worker catches him, and tries to blackmail him – sparking repentance and honesty in Mohei, to everyone’s sorrow. He tells the Great Printer – who is already jealous, and when Otama jumps in saying he did it for her, it all gets worse. Ishun, for all his wealth, is a penny pincher and a philanderer, and here Mohei is stealing his money and his girl! So he locks up Mohei, while the women talk – and when Otama admits to Ishun’s lust for her, Osan plans to trap him by hiding in Otama’s bed – but Mohei escapes and goes to Otama (he thinks) before Ishun gets there – and they are caught together (Mohei and Osan). Ishun, fearing the disgrace to him from this, tells Osan to kill herself – instead she runs away – with Mohei. And so their fates are sealed. Continue Reading »
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