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Archive for September 9th, 2009

beatles 2

by Sam Juliano

     WitD regular Dave Hicks of Ohio purchased several of the recently-released Beatles’ remasters today, and he’s coming in with a glowing appraisal.  There’s an early review out there by Chuck Klusterman of AV that’s well worth checking out, in the absence of a staff review at this early juncture.  With posts on the one-year anniversary of the site, a Brit Noir Festival round-up and a Dance Meme sent on by our friend Pat of Doodad Kind of Town we have been unable to give deserved attention to these landmark releases.  Here’s the link to Klusterman’s piece:

http://www.avclub.com/articles/chuck-klosterman-repeats-the-beatles,32560/

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 brides-11

by Allan Fish

(UK 1981 640m) DVD1/2

Vanitas vanitatum et omnia vanitas

p  Derek Granger  d  Charles Sturridge, Michael Lindsay-Hogg  w  John Mortimer  novel  Evelyn Waugh  ph  various  ed  Anthony Ham  m  Geoffrey Burgon  art  Peter Phillips 

Jeremy Irons (Charles Ryder), Anthony Andrews (Sebastian Flyte), Diana Quick (Julia Flyte-Mottram), Laurence Olivier (Lord Alex Marchmain), Claire Bloom (Lady Teresa Marchmain), Stéphane Audran (Cara), John Gielgud (Edward Ryder), Phoebe Nicholls (Cordelia Flyte), Simon Jones (Bridey Flyte), Nickolas Grace (Anthony Blanche), Jane Asher (Celia Mulcaster-Ryder), John Grillo (Mr Samgrass), Mona Washbourne (Nanny Hawkins), Bill Owen (Lunt), Charles Keating (Rex Mottram), Jenny Runacre (Brenda Champion), John le Mesurier (Father Mowbray), Stephen Moore (Jasper Ryder), Michael Gough (Dr Grant), Kenneth Cranham (Sgt.Block), Jeremy Sinden (Boy Mulcaster),

It’s difficult now, over 25 years on, to judge the impact of Brideshead on not just British television, but prestige drama in general.  It had long been, as Leslie Halliwell observed, an albatross round the neck of Granada, described as an incredible folly in the long months leading up to its transmission.  The strain of classic TV drama serials had reached both its zenith and its end in the mid seventies with Jennie, Edward the Seventh and I, Claudius.  Yet however superb in terms of their acting and writing those productions may be, there’s nothing cinematic about them.  They look like BBC Shakespeare productions or series shot on left over sets from Upstairs, DownstairsBrideshead changed everyone’s conceptions; virtually entirely shot on location, punctiliously adapted from the original source to the extent that any faults it may have had were those of the original.  As with Jesus of Nazareth, two lead actors had changed roles (then Robert Powell and Ian McShane, here Anthony Andrews and Jeremy Irons), and thank God they did.  For it is no more imaginable that anyone other than Andrews could play the faintly homosexual, hard-drinking and doomed Sebastian than it is for any other tones than Jeremy Irons could provide the soulful commentary provided by Charles Ryder.  Here were actors to their parts born, perfect in every way.  It is a great credit to the other cast members that they don’t get lost, but there are gems everywhere, from Grace’s definitive old queen Anthony Blanche to Bloom’s suffocating Lady Marchmain, Queen Henrietta Maria reincarnated in the 20th century.  Not to forget one time Arthur Dent Simon Jones as the blissfully boring Bridey, John Gielgud as a deliciously supercilious and witty Mr Ryder and Diana Quick as the tortured Julia.  And we haven’t even mentioned Geoffrey Burgon’s truly hauntingly fitting score, at once a theme tune for stately houses nationwide.  (more…)

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