by Sam Juliano
Bayou filmmaker and arts lover Jeffrey Goodman is one of those rare people whose very name describe their essence. In the blogging community he stands alone in his astonishing humility, tireless energy and a deep, almost profound reverence for his fellow writers. Despite the experience of a lifetime in Paris, where the New Orleans native attended screenings of some of the cinema’s most beloved classics, Goodman is always seeking out the perceptions and opinions of those he feels have earned their keep in the cinematic circles.
The founder of a red carpet site called The Last Lullaby, (named after his maiden foray into filmmaking) Goodman is a master statesman, an eternally effervescent blogger, who makes all who visit his home feel like a member of his own family. Indeed, in citing the various influences that convinced him to launch his own blogsite, Goodman acknowledges: “I felt like I was sharing energy with a few friends in different places, and with the blogosphere it was like I discovered a whole new set of friends and cinematic inspiration.” Debuting in January 0f 2009, the personable Goodman uses The Last Lullaby to report on his weekly film viewings, and to platform the latest developments in the planning of his sophomore film effort, Peril, a film that will feature Tom Sizemore, tentatively set to shoot in northern Louisina in early 2012. Goodman’s most impressive turn as a blogger was a three-month project in the middle of last year surveying the cinema from 1926 to 2008, a tenacious daily recall of the best film of each year and the runners-up that figured in the summary judgement. Many fello wbloggers responded to Goodman’s irresistible posterings, and gave their own views which often conformed with those of The Last Lullaby’s proctor. During the venture Goodman expessed a marked preference for the works of Renoir, Bresson, Godard, Truffaut, Pialat, Ozu, Kitano, Kiarostami, Wenders, Dreyer, Rossellini, Anthony and Michael Mann, Lynch, Jarmusch, Penn, Altman, Ashby, Peckinpah, Hawks, Cukor, Walsh, Gordon Green, Bujalski and the Dardennes, and a professed ‘obsession’ with the French New Wave, though he has quite a bit of personal passion left for Italian neo-realism and the American New Wave, confessing that he strives for a combination of realism and minimalism in his own work. (more…)