Archive for November 4th, 2011

by Jon Warner

I sat down with my 3-year old daughter the other day and invited her to watch a dancing scene from Swing Time with me. She’s very interested in dance these days and taking a class (ballet) so I figured I would show her. It was the scene where Fred and Ginger are doing the “Pick Yourself Up” number, which is a boisterous dance. My daughter asked me a few questions about the movie at first as Fred and Ginger were talking, but she was mostly entranced and watched the scene with me in silence during the dance itself. I know it sounds simple, but I realized for the first time that dancing requires little explanation or greater understanding of context and/or plot to really understand it. It is truly a physical communication to those of us in the audience. Even small children instinctively know how to dance. It’s not something you have to teach them. Dancing speaks to us on an instinctive level, and there never was, nor will there ever be another dancing duo like Fred Astaire and Ginger Rogers, whose chemistry and artistry remain unsurpassed.

Swing Time is arguably Fred and Ginger’s greatest film. I know that Top Hat (1935) has lots of admirers (myself being one) but I think Swing Time has a bit more emotion working for it and in that way, is a bit of a departure. Director George Stevens may have had something to do with the film’s different feel compared to the Mark Sandrich films. But, like all the Astaire-Rogers films, Swing Time has a plot that is mostly fluff, and usually only serves to get the stars from one song/dance number to the next. In this one, Astaire plays John “Lucky” Garnett, member of a dance troupe, who also has a penchant for gambling. On his wedding day following a dance show, his friends hold him up, causing him to miss the wedding, whereby he is told by his father-in-law-to-be, that he must make it big in the dance business and only then will he allow him to marry his daughter. With his friend, “Pop” (Victor Moore), they ride the rails to NYC, where through a chance encounter on the street, Lucky meets Penny (Ginger Rogers), who is a dance school instructor. Most of the film that follows is filled with the usual contrivances: mistaken intentions, love triangles etc. It’s all second fiddle anyway to the song and dance in the film. (more…)

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