by Jon Warner
Groundhog Day was the summative collaboration between Harold Ramis and Bill Murray that spanned 6 films. Ramis wrote and/or directed for several of Bill Murray’s best and most loved early outputs, from the gross-out classics Meatballs, Caddyshack, and Stripes, to slightly more “intelligent” fare like Ghostbusters, but it was with Groundhog Day that a certain key balance was found, eliminating most of the petty and stupid and swapping in the thoughtful, the existential, and the bittersweet. That’s not to say that this film isn’t funny, cause it’s absolutely hilarious. But it’s also something else…..a parable, a morality play, an examination of our humanity.
Unless you’ve lived in solitary confinement for the last twenty years, you already know this film well, and for some of you, you know it by heart. Bill Murray plays Phil Connors, a TV news weatherman based out of Pittsburgh who is slated to cover the festivities of Groundhog Day, Feb. 2, in Punxsutawney, PA. He travels via van with his new producer Rita (Andie McDowell), and his cameraman Larry (Chris Elliott). It does not take long for us to realize what a smug and arrogant man is Phil Connors. From his constant putdowns of Rita and Larry, to his complaining about the trip, to his hitting on Rita, to his sarcastic coverage of the event itself, it is clear that he has alienated himself from others to the point of no-return. Always on the lookout for himself, his day is one big me-fest. After covering the event, the crew tries to return to Pittsburgh, but is halted by a blizzard (which of course Phil failed to predict), forcing Phil, Rita, and Larry to return to Punxsutawney for another night. Phil wakes up the next morning at the B&B where he’s staying and finds that it’s Groundhog Day, Feb. 2 all over again. This occurs the day after…..and the day after…..and again…..and again. Feb. 2, Feb. 2, Feb. 2…….. (more…)