Archive for March 16th, 2013


by Allan Fish

Best Picture Fanny and Alexander, Sweden (9 votes)

Best Director Ingmar Bergman, Fanny and Alexander (9 votes)

Best Actor Ben Kingsley, Gandhi (6 votes)

Best Actress Meryl Streep, Sophie’s Choice (18 votes, Gawd help us!)

Best Supp Actor Borje Ahlstadt, Fanny and Alexander & Jan Malmsjö, Fanny and Alexander (5 votes each, TIE)

Best Supp Actress Gunn Wallgren, Fanny and Alexander (7 votes)

Best Cinematography Sven Nykvist, Fanny and Alexander (11 votes)

Best Score John Williams, E.T. The Extraterrestrial (9 votes)

Best Short The Snowman, UK (4 votes)


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Two reasons to rerun this article this year– both the second anniversary of the devastating crises in Japan that began March 11, 2011, and a rare American television broadcast of Hideaki Anno’s magnum opus in the form of  Evangelion 1.11: You Are (Not) Alone. The film will be showing on Cartoon Network this Sunday at 1am during its Toonami block. Anyone in the States with basic cable, there’s no excuse to miss it. Not even Church in the morning.

By Bob Clark

After the recent devastations of earthquakes, tsunamis and nuclear meltdown struck Japan, there were many comparisons made to the nation’s many imagined instances of various science-fiction disasters, from Godzilla rampaging through the streets of Tokyo to the apocalyptic wasteland of Neo-Tokyo from Katsuhuiro Otomo’s Akira. These, and so many other one-note similes, were rather tasteless ones, to my mind. They ignored not only the root-inspiration for all those horrifying kaiju and anime calamities in the usage of American atomic weapons on the civilian towns of Hiroshima and Nagasaki, and furthermore ignored the untold losses of life and livelihood presented by the new disasters, ones which continue to threaten the safety and security of an entire nation that already knows all too well the cost of nuclear fall-out, with the largest and potentially most deadly radiation event since the days of Chernobyl. However, in the midst of all these pop-cultural associations, there has been one that rings true, when an energy-conservation effort to help the besieged TEPCO power plant was unofficially dubbed “Operation Yashima”, quickly spreading as an internet-meme and gaining popular support throughout Japan as a rallying-cause to help solve the nationwide crisis through personal sacrifice for the good of everyone.

But what is “Operation Yashima”, and what does it have to do with cinema or science-fiction? In short, it represents the climax of the first six-episode arc of Hideaki Anno’s Neon Genesis Evangelion, one of the modern classics of contemporary Japanese animation, in which the entire electrical supply of Japan is used to destroy a monstrous alien invader bent on destroying mankind. Channeled into a high-powered positron cannon built by the Strategic Self-Defense Force, used as an immense sniper-rifle by the clandestine United Nations organization NERV, the requisitioned power is the only hope of beating the bizarre attacker, known as an “Angel”, but requires a nationwide outage for the duration of the assault. As the operation begins, the lights go out throughout the entire country, putting everyone in the same position, huddling together and waiting in the dark for news of victory or defeat. By the end of the battle there will be immense destruction, both in the wakes of the surreal attack and NERV’s epically desperate attempts to fend it off, but our attention as viewers will not be to the catastrophic fields of destruction or the untold millions of lives hanging in the balance throughout Japan, much less billions throughout a world that is already suffering from a near-apocalyptic contact with the Angels fifteen years ago.


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