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Archive for November 19th, 2013

Shane1

By Jon Warner

There are westerns with greater size and scope (The Searchers). There are westerns that are more taut and suspenseful (High Noon). There are westerns that are more pure (Seven Men From Now) and filled with more psychological depth (The Naked Spur). But there is no other western that is as emotionally resonant as Shane. Weaving throughout its running time is a point of view of a young boy, perhaps not so dissimilar from young boys over the last 150 years or so, brought up first on dime novels and cheap western stories and then eventually silent films and the boom of Hollywood cinema, pushing a brand of western and selling a mythology that continued to further the daydreams of millions of youth across this nation. I too fall into that group. I can remember playing in the backyard with my brother when we were kids growing up in the 80’s. Inevitably we would end up playing cowboys and Indians or some sort of old west themed adventure, utilizing things we’d picked up in movies, tv, and books in order to build a repertoire of dialogue and action, that in our minds resembled some sort of reality, when in fact we were recalling a western mythology, and even though this mythology has basis in reality, it became larger than life through stories and lore that were told and retold generation upon generation. Shane is in fact a film about the mythology itself, taking an examination of our western hero worship and adding incredibly rich layers of emotion which remain remarkably effective in their ability to maintain an honest sweep, unchallenged by any other film in the genre, with everything seemingly put together to achieve a definitive emotional arc. (more…)

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