Archive for April 2nd, 2014


© 2014 by James Clark

    Pasolini’s angry bid to undo not only modernist cinema but modernist culture may be an annoyance; but it’s also a golden opportunity. A special aspect of this windfall is Giulietta Masina, coming to us along those sightlines as the Antipode of the lumpen amateurs Pasolini would favor (not quite getting what Bresson was up to with that angle). Pasolini’s rather systematic but flamboyant notion of gender unwittingly shines a spotlight upon the supposed more natural and efficacious sense of integrity a quorum of female historical players possesses (to be supplemented by the coercive efficacy of the few teachable males on the planet). His sincerely longing for interpersonal decency, while happily installing mass regimes of bestial indifference, redirects our view to those of his filmmaker contemporaries who pursued their muse in resisting being sideswiped by traditional rationalism, including Italian neorealism. As such our examination of the case of Pasolini’s film output—a probe looking for signs of the wherewithal to counter being mired in half-measures—takes on a very welcome complement, namely, the films of Federico Fellini, which bring us to his muse and wife, Giulietta Masina. (more…)

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