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Archive for June 12th, 2014

 

by Jaime Grijalba.

I just recently finished re-watching this movie. I am in complete awe. For most of the film I was wondering and trying to remember the reasoning that I had and that I think everyone else had to put this movie in their own lists. I mean, this is a romantic/romance countdown and I’ve been two for two when it comes to the percentage of the element of romance in the final film. But then, after an hour and twenty minutes had passed, the first elements and bits of romance appear here and there, as the composer and the ballerina start talking in a balcony with an incredible landscape behind them, it may be a cliché, but the fact that those moments are played so grounded in terms of dialogue and advancement of the romance, that it seems as if every other element of the frame is screaming love, but it’s not yet really developed in the characters yet. It’s a clue, a mystery, because the whereabouts of when it really started, how it started or how deep their love is is also a hidden element of us, as we shift our focus to the one of the administration of the ballet company, specially under the strict and caring eyes of Lermontov.

It is not much a movie about the romance of the composer, Julian, and the dancer, Vicky, because you could compile every scene with the two of them together and it won’t really amount to more than twenty minutes, though it is their love that drives most of the last hour of the film, once Lermontov realizes the affair that is going between the two of them. The film is more interesting because it represents the themes of the ballet into the life of Vicky, as the girl with the red shoes can’t fight the urge of dancing that will lead her to death, and at the same time can’t love her own boyfriend, because she can’t stop dancing. In the end the film is a struggle of those two loves, the love of dancing by Vicky and the love she feels for Julian, and Lermontov knows that she struggles, he knows the character and the attitude of her, he knows that she needs to dance, she even told him that it was what made her live. That’s when the other interesting concept of the film comes through: how the jealous love of Lermontov is what practically makes this movie a complete romantic film in terms that it creates a love triangle. A strange and tragic love triangle. (more…)

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