Archive for June 18th, 2014

by Sam Juliano

“If ‘The Artist’ revels in gimmickry and occasionally oversells its charm, it also understands the deep and durable fascination of the art it embraces…”

-A.O. Scott, The New York Times

After Michel Hazanavicius’s romantic homage to silent cinema, The Artist charmed audiences at Cannes, and won dozens of critical accolades from numerous film critical organizations, it went one to win the Golden Globe and the Academy Award for Best Picture and Best Director.  From coast to coast (New York and Los Angeles) to the other side of the pond (London and Paris) The Artist captivated scribes and dominated like no other film had done for many years.  In a year when Terrence Malick’s The Tree of Life and Asghar Farhadi’s A Separation released to spectacular reviews, the vast majority of critics stood solidly by the black and white French charmer derided by it’s few detractors as “lightweight.”  Oscar voters were so smitten that they also followed the Cannes jury’s lead by awarding Jean Dujardin the Best Actor prize.  He was the first French thespian in history to win that honor.  But there were even more ‘firsts’:  The Artist was the first French film to win the Best Picture Oscar, it was the first completely black and white film to win since The Apartment in 1960, and the firs silent film to win since Wings in 1927.  In addition, it was the most honored film by the Ceasars in French history and it took Britain by storm, dominating the London Film Critics Awards and the BAFTAs. (more…)

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