Archive for November 12th, 2014


 © 2014 by James Clark

      Alain Resnais is a filmmaker widely revered as a harbinger of the many contemporary filmic launches testing our tolerance for risk and innovation. Unlike many of those he supposedly inspired, his was not a career with much staying power in the limelight. As we prepare to size up his signature (and debut) piece, Hiroshima Mon Amour (1959), we’ll begin with the conundrum of supposed dynamite branding having apparently lost its way, or at least having lost its compellingness. The supposed magic touch, of our film at issue here (produced in association with screenwriter [novelist, playwright, and filmmaker] Marguerite Duras), pertains to his bringing to quite unnerving immediacy an impasse between the two protagonists. Let us posit, for the sake of coming to savor singular energies here (accounting for an early noteworthiness and niche patronage but no significant subscription to his method) which have perhaps not effectively made it on to the global radar, that it is the weight of world-historical inundation which ushers in a type of crisis both devastating and manageable. More succinctly, I’d like to propose that we are not (horrific details and pundits notwithstanding) getting ourselves into the onset of a death march, but instead a joyousness in being under heavy but not impossible fire. Resnais haunts later film not for depiction of hopeless decadence; but instead for getting under its skin the marvel of a daunting competence. (more…)

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