Archive for November 13th, 2015

i walked 2

by Sam Juliano

Ah, woe/Woe is me/Shame and sorrow for the family.

It has been argued in scholarly cinematic circles that “there are two Lewton masterworks: I Walked With A Zombie (visually the more eloquent and elegant) and The Seventh Victim (the more poetic and profound).”  It has furthermore been alleged  that “Neither film employs a conventional narrative structure although the subjects, voodoo and devil worship, are the stuff of traditional horror movies.”  For both films Lewton formulated a mosaic-like structure that doesn’t so much as present a full story than suggest it’s “possibilities.”  Robert Bresson’s Au Hasard Balthasar  would be an example of this practice, as it eschews conventional narrative for the exploration of a specific theme.

The same theme seems to prevail in Lewton’s films: the power of reason vs. the power of obscurity.  The concerns are given the same attention, but Lewton, a studied man with a literary slant, is in essence a measured artist whose greatest gift was always reveling in the humanity of his characters, a gift that once won effusive praise from the great critic James Agee.  Hence it is assumed that the powers of darkness will in the end be negated by rational thinking.  Perhaps the most startling element in I Walked With A Zombie, the second in his famous low-budget horror series, is that diabolical forces emerged victorious at the film’s conclusion.


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