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Archive for July 17th, 2016

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by J.D. Lafrance

Repo Man (1984) was part of a fascinating trend during the 1980s of foreign filmmakers seeing America through the eyes of an outsider and making films that identified with marginalized figures hanging out on the fringes of society. Some of these directors included German director Wim Wenders (Paris, Texas), Czech Ivan Passer (Cutter’s Way), the Franco-Swiss filmmaker Barbet Schroeder (Barfly), and Liverpool, England-born Alex Cox. Teaming up with legendary Dutch cinematographer Robby Muller, Cox offered a fresh perspective on Los Angeles, a sprawling metropolis that has been the setting for countless films and television shows, by picking locations that hadn’t been seen all that often – “dirty, dingy locations in East L.A. and downtown” with all sorts of abandoning buildings and vacant lots, as the Los Angeles Times observed, naming the film one of the best set in the city in the last 25 years.

Repo Man came out at the height of the Reagan era and was notable for how it proved to be a sharp contrast to the prevailing trend of rampant commercialism with its generic branding of food and drinks and a protagonist that openly rejected material items and a traditional job in search of something else. The film follows the misadventures of a white suburban punk named Otto (Emilio Estevez) who we meet stacking cans of food in a supermarket while co-worker Kevin (Zander Schloss, who’s look and demeanor anticipated Napoleon Dynamite by two decades) sings the jingle for 7-UP to pass the time. For Otto this is the last straw and he quits his job after being confronted by his boss for not properly spacing the cans. He’d much rather party with his punk rock buddies until he catches his best friend Duke (Dick Rude) having sex with a girl he was just about to get with himself before going to get her a beer. Not only rejecting his crappy job but also his punk rock friends, Otto ends up wandering the streets aimlessly until he meets Bud (Harry Dean Stanton), a veteran repossessor of cars, and who unwittingly gets the young man to help repossess his first car.

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