by John Greco
Your Show of Shows premiered on Saturday, February 25th 1950. It was a live 90 minute variety show consisting, for most seasons, of 39 episodes. It was the equivalent of putting on a new Broadway show every week. The show starred Sid Caesar and Imogene Coca with Carl Reiner and Howard Morris as regulars. James Starbuck would join the cast in 1951. Among the show’s writers, were Mel Brooks, Neil and Danny Simon, Mel Tolkin and Lucille Kallen. One of the misconceptions is that Larry Gelbart and Woody Allen wrote for Your Show of Shows. Gelbart actually wrote for Caesar’s Hour and Woody Allen worked on a few episodes of The Sid Caesar Show.
The man behind the idea was Viennese born Max Liebman who for years before the show’s premiere was in many ways priming himself for his big moment. In the 1930’s Liebman worked at the Tamiment Resort in the famed Pocono Mountains in Pennsylvania. He worked as a social director and on Saturday night, he along with the aid of plenty of talented performers, and backstage folks, put together original shows every week. He wrote, directed, produced, worked on scenery, costumes and more. Liebman said, “I was doing what you might call television without the cameras.” For four years Liebman did the writing for all the Tamiment shows. In 1938, Sylvia Fine[1] joined his staff. It was through Fine, Liebman would meet a young Danny Kaye who would join his group. Around this same time, a young comedic spirit by the name of Imogene Coca also joined the Tamiment gang. With the show consistently receiving excellent reviews, the best skits and music were compiled and taken to Broadway under the title The Straw Hat Revue.
Liebman would leave Tamiment and join Fine working on routines for Danny Kaye, whom Fine soon married. He would join Kaye as one of his writers in Hollywood for various MGM films. During the war years Liebman had the opportunity to work on putting on a revue called Tars and Spars for the Coast Guard. The revue was a recruiting tool, and had Victor Mature as the show’s big attraction. However, more importantly, a member of the group was a guy named Sid Caesar. It was the first time they would work together. A few years later, after the war, Liebman would work with Caesar again on his act when he opened at the Copacabana.
In the late 1940’s Max met the legendary Pat Weaver, then an advertising agent. Weaver was interested in the new medium of television. Along with Admiral, an early manufacturer of television sets, they liked what they saw of Liebman’s work and agreed to do a weekly variety show called the Admiral Broadway Revue which premiered in January 1949. The cast included Caesar, Coca and James Starbuck with writers Lucille Kallen and Mel Tolkin on board. After 19 shows and generally good reviews, Admiral decided they rather sell television sets and not produce television shows. Despite Admiral backing away, Pat Weaver was still enthused about the show and worked with Liebman on producing a new series, an hour and a half variety show to be called Your Show of Shows. They agreed in principal and Liebman began to put the show together. Back were Caesar, Coca, Starbuck, and writers Kallen and Tolkin. He brought in Carl Reiner, Howard Morris, singers like Jack Hayes, Jack Russell, Opera star Robert Merrill and others.
The show was one of early televisions’ masterpieces thanks mainly to Liebman’s loving care, the gifted comedic skills of Sid Caesar and Imogene Coca, along with the genius of writers like Neil and Danny Simon, Tony Webster, the aforementioned Mel Tolkin and Lucille Kallen, and a young brash fellow by the name of Mel Brooks
Liebman surrounded the two stars with talented regulars – Carl Reiner, Howard Morris – along with guest stars ranging from opera singer Margaret Piazza and Robert Merrill to actors like Charlton Heston, Veronica Lake, Jack Carson and many others.
Fondly remembered are the movie spoofs. One of the best was the take-off on the classic film From Here to Eternity. Only in this version, it was called From Here to Obscurity. Carl Reiner is the Top Sgt., Sid Caesar is Montgomery Bugle and Imogene Coca, the girl. The beach scene is the highlight with waves smashing up against our two lovers. Caesar cracks up Coca at one point and she turns her head away from the audience. This is only topped by the barroom fight between the Top Sgt. and Bugle. A second hilarious skit had Caesar and Carl Reiner doing a spoof of the famous “I coulda’ been a contender” scene from On the Waterfront. Foreign films were also satirized with expert gibberish replacing actual foreign language. This was fairly sophisticated stuff at the time for TV considering that back in the early 1950’s, not too many Americans watched foreign films. Caesar was a master at mimicking and improvisation. In the world of live TV where “mistakes” were made and seen by audiences, Caesar was a genius at covering up the goofs, many times making the skit even funnier.
In January of 1996, the Writers Guild reunited Sid Caesar and nine of his writers from Your Show of Shows and Caesar’s Hour for a one time two hour event. The group included Carl Reiner, Mel Tolkin, Aaron Ruben, Larry Gelbart, Mel Brooks, Neil and Danny Simon, Sheldon Keller and Gary Belkin. While most of the writers were from the latter show, Caesar’s Hour, the discussion is a fascinating and extremely funny history of both shows. An abbreviated version was broadcast on PBS, however, the entire reunion can be seen on DVD and is well worth seeking out. One of the tidbits to come out of the interviews is that Mel Brooks, only twenty two years old at the time, was hated by Max Liebman and he originally refused to hire him. Caesar who wanted Brooks on the staff, ended up paying him a $40 a week salary out of his own pocket.
Neil Simon had his own memories and put them on display the best way he knew how. In November 1993, his play Laughter on the 23rd Floor opened on Broadway which looks back with comedic fondness at those early days of television. The play, and the 2003 made for TV movie, starred Nathan Lane as Max Prince, a fictional version of Sid Caesar.
In 1954, Your Show of Shows ended it run, despite still having decent ratings. From what I read, it seemed that greed on the part of the station was at least partially to blame. The thought was if Caesar and Coca were powerhouses together, why not split them up and get two shows instead of one. Thus came Caesars’ Hour and The Imogene Coca show. Carl Reiner and Howard Morris went along with Caesar with Nanette Fabray replacing Coca. It ran for three seasons.
In 1973, a feature length compilation of ten sketches from the classic show was released in theaters. Ten From Your Show of Shows featured some of the best, and there was plenty to choose from, skits from the show including From Here to Obscurity, The Sewing Machine Girl, The Bavarian Clock and a take-off on Groucho’s You Bet Your Life. There are DVD’s out there with clips of many episodes though they are mostly now out of print. More accessible are youtube videos including From Here to Obscurity.
If there was such a thing as avant garde television in the early 1950’s Your Show of Shows, and Caesar’s Hour, along with The Ernie Kovacs Show (1952-1956) would be in that small group of hipsters. Caesar was ahead of his times. His shows broke new ground and his influence was felt for generations. Sid would come up with the ideas and look to his writing staff to fill out the storyline and the laughs that generally were smarter and more sophisticated than everything else on TV at the time. They were innovative, bright and sometimes even provocative. His influence can be seen in Carl Reiner’s character, Alan Brady, from The Dick Van Dyke Show who was modeled after Sid. Saturday Night Live’s sketch comedy, another writer’s show, at its best reflects the influence of Sid Caesar. Today, sadly Sid Caesar is forgotten. If not forgotten, definitely underappreciated as a pioneer and an artist.
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[1] Brooklyn born Sylvia Fine was a composer and lyricist who met Danny Kaye when he auditioned for a short lived Broadway musical. Fine wrote the words and music for it. They would soon marry. Fine wrote or co-wrote many of Kaye’s songs he performed in many of his films.
The show was one of early televisions’ masterpieces thanks mainly to Liebman’s loving care, the gifted comedic skills of Sid Caesar and Imogene Coca, along with the genius of writers like Neil and Danny Simon, Tony Webster, the aforementioned Mel Tolkin and Lucille Kallen, and a young brash fellow by the name of Mel Brooks.
Oh yes indeed John, it remains today one of the true defining works of American television, and a show for various reasons, some prohibitive, that can never be duplicated. For one it was wrought at a time where talent of writing and performance was at a height in the entertainment industry. Your delineation of the magic via the documentation of its players and ascendency is first rate, as you bring one of the crowning jewels of television under glowing focus. I vividly recall Allan (Fish) stating that this was one of the greatest shows from any country of all-time. So this is where Mel Brooks began his own legendary career. I did know that Woody Allen was mistakenly named as one of the writers, though of course The Sid Caesar Show is hardly chopped liver. Those two movie skits from From Here To Eternity and On the Waterfront are classics.
His foreign film skits are classic too. Brilliant stuff that is rarely seen today.
I loved the spontaneity. The funniest skit of all was the spoof on the popular TV show of the day “This Is Your Life,” with Carl Reiner parodying the role of Ralph Edwards. Splendid review that summons the meories.
Thank Ricky!
“…..the gifted comedic skills of Sid Caesar and Imogene Coca, along with the genius of writers like Neil and Danny Simon….”
They were among the most gifted television comedians, and their chemistry was unequaled. I’ve tried to obtain a serviceable set of the how, but it seems all we have are best-episode compilations, which is still worth owning. Glad to see a solid review and strong placement.
I have been trying to get a copy of Ten From Your Show of Shows which has never been released on DVD except for bootlegs.
I have it on an ancient VHS tape from the late 80s (can’t believe it still plays). It was aired on PBS and I nabbed it. It’s actually the only ten skits from the show I’ve ever seen, but it’s enough for me to know it was brilliant. I never get tired of the “dressing the German general” skit, but my favorite is the board room sandwich skit. Simply never gets old.
Outstanding appraisal, John Greco. Playwright Neil Simon wrote Laughter on the 23rd Floor about his experiences here, Carl Reiner used his time on Your Show of Shows as the basis for The Dick Van Dyke Show, and Mel Brooks produced My Favorite Year, which was inspired by his stints on this show and its successor, Caesar’s Hour. One could go on and on and on, but there the review seems to cover all bases.
This was the show that invented television comedy.
Indeed! No exaggeration when it its said this is a classic. Thanks Tim!
This was my father’s favorite all-time TV show. Imogene Coca was the best!
Indeed! Thank you, Karen,
I very much appreciate the historical progression of the show. Remarkable that so many of the greatest comedic luminaries had their start on Your Show of Shows. It did well on the countdown, but I was expecting even a little higher.
Good point about its ranking, Frank. One person commented on my FB page that most people were too young to remember the show. I thought that was weak, That’s like saying, I don’t know Chaplin or Keaton because I wasn’t born yet. To me, it seems like a must see just because of the list of folks who became the foundation of our comedy world today
Straight-to-the-point, loving and enthusiastic review for one of the most influential and inspiring ‘standards’ setters on the list….
The reach Sid Caesar’s television works have had on the development of art of television programming in incalcuable. From obvious, immediate inflences it had on shows like THE PHIL SILVERS SHOW, I LOVE LUCY and THE HONEYMOONERS, to the less-than-obvious, but no-less-important, goose it gave to game-changers like THE DICK VAN DYKE SHOW, ALL IN THE FAMILY and THE MARY TYLER MOORE SHOW, Sid’s demand for heart, the best and funniest writers, inspired performers and take-no-prisoners attitude to do ANYTHING for a laugh moved genius’ like Norman Lear, James L. Brooks and Sheldon Leonard to amazing heights…
And, what writers!
Just the fact that he had, through the course of three successful shows, payrolled writers like:
Carl Reiner
Mel Brooks
Neil Simon
Danny Simon
Mel Tolkan
Larry Gelbart
Lucille Kallen
Micheal Stewart
and
Woody Allen
is enough to realize the spectacular opportunity they thought Caesar, as a person and inspiring light, was, as well as everyone realizing the opportunity to blaze a trail on a medium next slated to become a major art form.
Without YOUR SHOW OF SHOWS, what we now know as television would be much different.
You said it all my friend! The show was genius wrapped up in a bottle.
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An all-time classic and a prime reason why people say “they don’t make television shows like they used to.” Terrific exploration.
Nice writing! I remember the film skits, but the two leads who are pictured are priceless.
Never having seen this, I can’t comment on the content of it, but from your write-up it does sound like quite an undertaking at the time and very ambitious. It’s intriguing that each season was 39 episodes. That’s a ton! Nice work John.