By J.D. Lafrance
Burnt out from the debacle that was Francis Ford Coppola’s The Cotton Club (1984) and the commercial failure of Streets of Fire (1984), Diane Lane had gone from promising A-list actress to box office poison. Stinging from these two high profile flops and eager to escape the media spotlight, she took some time off to regroup and figure out what she wanted to do next. In 1987, she came roaring back with a vengeance with two films, one of which was Lady Beware, a modest B-movie thriller that was a labor of love for its director, Karen Arthur, but ran afoul of studio interference. While hardly a masterpiece, it is an intriguing cinematic detour in Lane’s filmography.
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