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Archive for June 7th, 2018

by Sachin Gandhi

I selected Cameroonian director Jean-Pierre Bekolo’s Aristotles Plot because at its core, this film is about that vital debate of commercial vs artistic cinema, the blockbusters of Hollywood vs a nation’s local cinema. The film also offers the chance to discover a unique voice from African Cinema. Jean-Pierre Bekolo is not a well known name even though his debut 1992 film Quartier Mozart gained some recognition on the film festival circuit. The energetic and humorous Quartier Mozart combined folklore with some jaw-dropping moments. Still, the debut could not have prepared for what Bekolo attempted next in 1996 with Aristotles Plot.

At a running time of just 68 minutes, Aristotles Plot packs a lot of ideas and memorable dialogues about the meaning of cinema. The story features two characters on opposing side of the cinematic debate, a local gangster who consumes only Hollywood action films and a struggling independent filmmaker who wants people to care about African cinema. The gangster goes by the name of Cinema because he claims “he has watched 10,000” films. His rival is a filmmaker named Essomba Tourneur (E.T for short) who prefers to be called a Cineaste. The difference in view between the two is shown early in the film after Cinema claims to have seen 10,000 films, E.T counters and asks “oh yes, but how many of them were African?”. To which Cinema replies “very few” before going on to add that he doesn’t think much of African films. That debate about the worth of African cinema is repeated on a few occasions and highlights that locals flock to Hollywood films but stay away from African cinema. Even a local policeman claims to have never seen a single African film but is aware of Hollywood stars. (more…)

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