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Archive for July 15th, 2018

An appreciation by Brian E. Wilson
arrested1
“Now the story of a wealthy family who lost everything and the one son who had no choice but to keep them all together.”–Ron Howard’s opening narration on the first 3 seasons of Arrested Development.
Okay, first things first. I must apologize for something: I haven’t seen seasons 4 and 5 yet, but I have seen the first 3 seasons two times. Sammy asked this past weekend (on July 7) if I could step in and write this blog entry…by July 13. Whoa! (Sammy: in all seriousness, thanks again for inviting me along on this wild epic ride.) So fans of these two seasons, please feel free to share your thoughts on them in the comments section. I tried watching season 4 in 2013 and couldn’t quite get into its rhythm, but some friends assured me that it’s decent, that I should give it a spin. Someday.
Also, I know I’m going to leave a lot of funny stuff out. The first 3 seasons of Arrested Development, which aired on Fox and ran a total of 53 episodes, pop and burst with jokes and gags galore. Each episode zips along with manic energy, with many recurring bits. Arrested Development rewards those who pay close attention to its oddball scenarios. The show can tire you out, but when you are on its absurd screwball wavelength, you start feeling a giddy high while watching. If you have seen the show, you know a 1,200 word blog post will hardly scratch the surface.
Created by Mitchell Hurwitz, and with a gifted team of writers and directors on board, Arrested Development follows the mockumentary style format of movies like Real Life, This Is Spinal Tap, and Christopher Guest’s many zany comedies, as well as the British TV version of The Office that started in 2001 (the US version of The Office and Parks and Recreation, among others, would also be filmed in this style). Using a handheld camera that whips around from character to character, as well as an earnest-sounding but sometimes snide and contradictory Ron Howard as narrator, the show has a wacky urgency and immediacy as it chronicles the misadventures of a troubled family named Bluth.

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