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Archive for December 11th, 2018

By J.D. Lafrance

“What does a scanner see? Into the head? Down into the heart? Does it see into me? Into us? Clearly or darkly? I hope it sees clearly because I can’t any longer see into myself.” – Bob Arctor

Over the years, many films have been made based on the science fiction novels by Philip K. Dick – some good (Blade Runner and Minority Report), but mostly bad (Paycheck and Next). However, they all share a common trait: they only remotely resemble their source material. David Cronenberg recounted a story about how he began adapting the short story, “We Can Remember It For You Wholesale” for a Hollywood studio and when he handed in his screenplay, an executive complained that it was too faithful to the source material. They wanted something like Raiders of the Lost Ark (1981) for Arnold Schwarzenegger. Cronenberg wasn’t interested in doing that and left the project, which became Total Recall (1990). This explains why none of Dick’s material has been accurately translated into film until A Scanner Darkly (2006).

It was adapted by filmmaker Richard Linklater, not the first person you’d think of when it comes to science fiction but he had two things going for him: he was a fan of the book and he was willing to make it independently, keeping the budget low enough that he could have creative control over the material. He was also able to assemble a very impressive cast that consisted of Keanu Reeves, Robert Downey Jr., Woody Harrelson, and Winona Ryder. However, his choice to utilize rotoscoping animation (where animators basically draw over live action footage) was not embraced by everyone and ended up causing Linklater all kinds of headaches in post-production. That being said, the style of animation he employed was well suited for the film’s various drug hallucinations and in realizing the scramble suit technology.

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