Archive for April 10th, 2019

 © 2019 by James Clark

  I think the film, Wild Strawberries (1957), though quite aptly described to be a paragon of hard-won affection, contains a field of sophistication which has not been noticed and needs to be unlocked. In the absence of this factor, one would tend to overplay an outset of wrongness in order to amplify the change. (One of the challenges to recognize in this matter is the litany of hearsay about the protagonist, Dr. Isak Borg, being “cold” and monstrously aggressive, in the style of Scrooge, the protagonist of Charles Dickens’ famous melodramatic novella, A Christmas Carol [Being a Ghost Story of Christmas, 1843].) Onscreen he is nothing of the sort. His lacuna would be more to the point of befuddlement in reaching for an equilibrium between his serious career and his serious heart. (An instance, in flash-back, reveals the protagonist’s young girlfriend flirting with his brother. She thought to mention that the studious one was “cold,” thereby, on her reckoning, an inferior to be duped.)

We should begin our discovery by taking seriously the fact that our film today was, remarkably, the second production of that year! The earlier entry, was that primordial bat out of hell, namely, The Seventh Seal, packing the mainspring of the Bergman cinematic reflection, namely, death-defying acrobatics and “impossible” juggling. The Seventh Seal, itself, is rooted in the oracular iconoclasm of Smiles of a Summer Night(1955), its contrarian energies still a matter of nearly complete oblivion. In light of these proceedings, we would be on strong grounds to look to Wild Strawberries’ telling us something new and amazing—not, then, reporting a geezer’s finally feeling good about himself and the world. (The dowager/ oracle in, Smiles of a Summer Night, and Jof and Marie in, The Seventh Seal, do not trade in normal gratifications. Nor, for that matter, does the protagonist’s grandmother, in, The Magician [1958].) Charming little personal moments are not what Bergman is looking for. His métier, like those scientists and artists of the avant-garde over the past 200 years, want more than that, nothing less than a new world, however small a number might convene. As we look closely at the dynamics of our saga here, we should look for gold, wherever it may come to pass. (more…)

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