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Archive for December 17th, 2019

By J.D. Lafrance

The early 1990s marked the emergence of two independent filmmakers who were seen as possible heirs to Woody Allen’s cinematic legacy: Noah Baumbach (Kicking and Screaming) and Whit Stillman. The latter filmmaker, in particular, has often been cited in the same breath as Allen’s films. They both mine the same social strata — affluent, Upper East Side New Yorkers — for comedy. Stillman’s debut, Metropolitan (1990), is his most Allen-esque, right down to the simple opening credits sequence (using a font similar to the one Allen does in his films) accompanied by jazz music. Stillman’s characters, like Allen’s, also speak witty dialogue loaded with literary references. However, this is where the similarities begin and end. In Allen’s films, he presents upper class characters that are narcissistic and self-absorbed while Stillman tends to gently parody these qualities.

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