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Archive for March 31st, 2020

by J.D. Lafrance

In the 1980s, Martha Coolidge’s films were a welcome antidote to the dominance of John Hughes’ output. On the surface, her films appear to be quite similar, but whereas Hughes’ films ultimately play it safe and are conservative in nature (i.e. the status quo is preserved), Coolidge’s films champion the outsider in society – for example, Nicolas Cage’s punk rocker hooks up with Deborah Foreman’s Valley girl despite societal pressure in Valley Girl (1983). Real Genius (1985) appears to be just another mindless college comedy like Revenge of the Nerds (1984), but whereas that film had its outsiders ultimately become part of accepted mainstream society, the nerds in Real Genius rebel against it and are proud to be different.

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