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Archive for May 19th, 2020

By J.D. Lafrance

“When you’re approached by a studio, they say ‘We want you to make your own films’ – and then they describe how the project will get financed. These are well-intentioned people; they’re not stupid. But the amount of money they want to get, and the way they want to get it, prohibits me from making my kind of film. That’s why most big movies today are so homogeneous.”– Hal Hartley

It is this sentiment, coming from independent filmmaker Hal Hartley, which may explain the decidedly un-Hollywood kind of films that make up his eclectic body of work. He emerged on the scene in the late 1980s with films that explored the banality of suburban life mixed with the bizarre, often with hilariously ironic results. The stories and their settings that he explored were realistic enough (i.e. the boy-meets-girl tale of The Unbelievable Truth) but they were then contrasted by stylized dialogue delivered in a deadpan style reminiscent of the great stone-face Buster Keaton. His characters often talk in philosophical terms but in very mundane situations that challenge the audience. The way the dialogue is delivered by his actors appears to be awkward but this is done to illustrate the irony of the context that it is spoken in.

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