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Archive for April 8th, 2021

© 2021 by James Clark

Ingmar Bergman, not widely known to praise other filmmakers, was, however, on one occasion, drawn to remark: “My discovery of Tarkovsky’s first film [Ivan’s Childhood, 1962] was like a miracle. Suddenly, I found myself standing at the door of a room the keys of which had until then, never been given to me. It was a room I had always wanted to enter and where he was moving freely and fully at ease. I felt as if I was entering and encountering a range of stimulation. Someone was expressing what I had always wanted to say without knowing how. Tarkovsky is for me the greatest, the one who invented a new language, true to the nature of film, as it captures life as a reflection, as a dream.”

With Bergman, however, being a tricky hand-to-hand brawler, you have to look carefully about such a homage. Yes, Tarkovsky comes on the field as remarkably brilliant. His instinct for dynamics and mis en scene is truly inventive and revolutionary. But where do you think that new genius learned his chops as an exhaustive challenger of world history as it has enjoyed total and disastrous power since societies on earth began? Tarkovsky’s film today, namely, Solaris (1972), is about space discovery, the wonder of the “new,” in the bright solar awakening. But the solar, if you look at it, is a fury, a visitation of intensity (emotion) having been censored from the entirety of life, of nature; while religion and science have carved up everything in sight, despite being possibly, however, having much to do with the new. The protagonist, Kris Kelvin (a surname redolent of “hard” science and control of heat), does not, at first blush, present any hope of becoming a paragon of emotive innovation. His father, on the eve of Kris’s departure—to a Soviet space craft having encountered disarray, and which he seemed to be the right man to straighten it out—far from a radical but aware that there is more in life than science, remarks, “He reminds me of a bookkeeper, preparing his accounts… It’s dangerous to send people like you into space. Everything is fragile. Yes, fragile. The Earth has somehow become disgusting to people like you, although at what sacrifice!  The Earth has somehow become adjusted to people like you. What, are you jealous that [someone else] will be the one to bury me, and not you?” (more…)

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