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Archive for September 22nd, 2021

American Psycho

By J.D. Lafrance

Every time I watch American Psycho (2000) I wonder why Christian Bale doesn’t do more comedies as he is so funny in this film as Patrick Bateman, a pathologically narcissistic Wall Street Yuppie that may or may not be a serial killer. Whether he’s pontificating about the best moisturizers for his skin or shimmying with reckless abandon to “Hip to Be Square” by Huey Lewis and the News, Bale looks like he’s having a blast playing up the more ridiculous aspects of his character which is in sharp contrast to some of the more depraved acts he indulges in during the course of the film.

Based on the controversial 1991 novel of the same name by Brett Easton Ellis, American Psycho was considered unfilmable because of the long, detailed passages devoted to Bateman’s ruminations on the music of Whitney Houston and Phil Collins, punctuated by extremely graphic descriptions of sadistic violence inflicted on women. Anybody taking on this project would have to find a way to translate it in an interesting way without completely turning off audiences while also appeasing the MPAA.

For almost ten years filmmakers like David Cronenberg and Oliver Stone took a crack at adapting the book into a film while actors like Johnny Depp and Leonardo DiCaprio expressed interest in playing Bateman. In the end, Mary Harron, director of the critical darling, I Shot Andy Warhol (1996), and Bale got the film made. The end result predictably divided critics and underperformed at the box office, but considering the subject matter this is hardly surprising. American Psycho went on to enjoy a second life on home video where it developed a cult following.

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