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Archive for December 28th, 2021

1. Marketa Lazarová (František Vláčil, 1967; Czechoslovakia)  261.5
2. Ashes and Diamonds (Andrzej Wajda, 1958; Poland) – 257
3. Closely Watched Trains (Jirí Menzel, 1966; Czechoslovakia) – 234.5
4. Dekalog (Krzysztof Kieslowski, 1989; Poland) – 214
5. Mother Joan of the Angels (Jerzy Kawalerowicz, 1961; Poland) – 175.5
6. Satantango (Béla Tarr, 1994; Hungary) – 164
7. Daisies (Vera Chytilová, 1966; Czechoslovakia) – 152
8. Knife in the Water (Roman Polanski, 1962; Poland) – 150.5
9. 4 Months, 3 Weeks and 2 Days (Cristian Mungiu, 2007; Romania) – 142.5
10. Son of Saul (László Nemes, 2015; Hungary) – 134.5
11. The Red and the White (Miklós Jancsó, 1967; Hungary) – 131
12. The Round-Up (Miklós Jancsó, 1966; Hungary) – 130.5
13. The Cremator (Juraj Herz, 1969; Czechoslovakia) – 125
14. Love (Károly Makk, 1971; Hungary) – 125
15. Loves of a Blonde (Miloš Forman, 1965; Czechoslovakia) – 124
16. Ida (Pawel Pawlikowski, 2013; Poland) – 116
17. Kanal (Andrzej Wajda, 1957; Poland) – 111
18. The Turin Horse (Béla Tarr & Ágnes Hranitzky, 2011; Hungary) – 110
19. Valerie and Her Week of Wonders (Jaromil Jires, 1970; Czechoslovakia) – 109.5
20. The Firemen’s Ball (Miloš Forman, 1967; Czechoslovakia) – 104
21. Underground (Emir Kusturica, 1995; Yugoslavia) – 83
22. Werckmeister Harmonies (Béla Tarr & Ágnes Hranitzky, 2000; Hungary) – 80
23. The Saragossa Manuscript (Wojciech Has, 1965; Poland) – 79.5
24. Love Affair, or the Case of the Missing Switchboard Operator (Dusan Makavejev, 1967; Yugoslavia) – 75
25. Diary for My Children (Márta Mészáros, 1984; Hungary) – 70.5
26. The Shop on Main Street (Ján Kadár & Elmar Klos, 1965; Czechoslovakia) – 63.5
27. Passenger (Andrzej Munk, 1963; Poland) – 62.5
28. Intimate Lighting (Ivan Passer, 1962; Czechoslovakia) – 62
29. The Death of Mr. Lazarescu (Cristi Puiu, 2005; Romania) – 60.5
30. Pharaoh (Jerzy Kawalerowicz, 1966; Poland) – 55
31. Fateless (Lajos Koltai, 2005; Hungary) – 53
32. Witchhammer (Otakar Vávra, 1970; Czechoslovakia) – 50.5
33. Ikarus XB1 (Jindrich Polák, 1963; Czechoslovakia) – 49
34. Lemonade Joe (Oldrich Lipský, 1964; Czechoslovakia) – 47
35. 12:08 East of Bucharest (Corneliu Porumboiu, 2006; Romania) – 46.5
36. I Do Not Care If We Go Down in History as Barbarians (Radu Jude, 2018; Romania) – 42
37. The Last Stage (Wanda Jakubowska, 1948; Poland) – 42
38. The Dybbuk (Michal Waszynski, 1937; Poland) – 41.5
39. The Hand (Jirí Trnka, 1965; Czechoslovakia) – 41
40. Scarred Hearts (Radu Jude, 2016; Romania) – 41
41. Night Train (Jerzy Kawalerowicz, 1959; Poland) – 40
42. Cold War (Pawel Pawlikowski, 2018; Poland) – 39.5
43. Diamonds of the Night (Jan Němec, 1964; Czechoslovakia) – 39.5
44. WR: Mysteries of the Organism (Dusan Makavejev, 1971; Yugoslavia) – 39.5
45. Blind Chance (Krzysztof Kieslowski, 1987; Poland) – 38.5
46. When Father Was Away on Business (Emir Kusturica, 1985; Yugoslavia) – 38
47. Happy End (Oldrich Lipský, 1967; Czechoslovakia) – 37.5
48. Police, Adjective (Corneliu Porumboiu, 2009; Romania) – 36
49. Valley of the Bees (František Vláčil, 1968; Czechoslovakia) – 35
50. Merry-Go-Round (Zoltán Fábri, 1956; Hungary) – 34

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