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Archive for February, 2023

 

by Sam Juliano

I am thrilled to post a sneak-peak at the cover art for Irish Jesus of Fairview.  First off, notice the title of the book has changed.  Previously advertised as Irish Jesus in Fairview, it is now Irish Jesus of Fairview.  Seems like a minor change, but it is actually most significant, when the book’s themes are factored in.  My artist Andrew Castrucci has added some mysterious waves over the cover image, which – like the subtle change of the title – bring some interpretive angles.  I have not yet posted this cover art on FB, mainly because I do have the revised one with the titles and the book’s chosen passage (on the front and back, and my own name).  I will unveil that soon.

Many thanks to those who have submitted ballots (Top 40) for the Greatest American Films of All-Time Voting.  The deadline is March 10th.

I was happy to see Brendan Fraser win the Best Actor SAG Award, but I’m still trying to warm up to the Everything, Everyone film that it cleaning up at the others awards.  Now it seems it is heading for big wins at the Oscars. (more…)

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by Sam Juliano

After a two-year absence, caused by the COVID-19 crisis, our long-running Academy Awards party will be held again this year on Sunday, March 12th at the Tiger Hose Firehouse in Fairview.  Lucille and I look forward to seeing many of our friends, and plenty of hot food will be offered, courtesy of Gandolfo’s in North Bergen.  Any of our readers planning to be in the area that night are urged and welcome to attend.

Meanwhile, our Greatest American Films polling is in full swing and will continue until Friday, March 10th at 5:00 P.M.  Many thanks to Mark Sadler, Mark Smith and James Horsefall -not to mention over 30 others who have voted on the corresponding FB post – for casting ballots so far, and to those planning to in the upcoming weeks.

The fabulous cover art and graphic design for Irish Jesus in Fairview has been completed!  I will be releasing it very soon!

I thought it would be amusing to post a link to our Oscar party short from a few years ago. (more…)

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by Sam Juliano

This past week, Jim Clark published a superlative review on Claire Denis’s Stars at Noon here at Wonders in the Dark!

Otherwise, the last of our international pollings – on American cinema is now officially underway!

American Cinema Polling is officially underway!

Everyone gets 40 choices (I know, I know, not enough!) to be presented in one of four (4) ways: alphabetically, chronologically, ranked or arbitrarily. Voting Tabulator Bill Kamberger, who gets the final word on eligibility issues, would prefer that the “arbitrarily” option not be employed, but in the end, the voter will do what he or she is most comfortable with. This is the final poll in our INTERNATIONAL series, though DECADE POLLS are looming on the horizon. The current poll, surveying the globe’s most prolific and influential cinema (since its debut around 120 years ago) will run until FRIDAY, MARCH 10TH at 5:00 p.m. EST, the first day of the Oscar weekend. HERE are my own choices, though for me to have left off the likes of Amadeus, The Graduate, Bonnie and Clyde, A Streetcar Named Desire, The Deer Hunter, I Never Sang for My Father, A Separate Peace, Being There, Network, Cabaret, I Walked with a Zombie, Duck Soup, Schindler’s List, Remember the Night, The Great Santini, The Body Snatcher, Isle of the Dead, The Seventh Victim, The Tree of Life, Dead Poets Society, The Manchurian Candidate, Sullivan’s Travels, Rebecca, Taxi Driver, Goodfellas, The Adventures of Robin Hood, North by Northwest, The Maltese Falcon, The Silence of the Lambs, Fried Green Tomatoes, The Music Box, Seventh Heaven, Dr. Strangelove, Pinocchio, Snow White and the Seven Dwarfs, The African Queen, Yankee Doodle Dandy, Public Enemy, I Am a Fugitive from a chain Gang, White Heat, Young Frankenstein, Mutiny on the Bounty, Do the Right Thing, Blue Velvet, Moonrise, High Noon, Angels with Dirty Faces, The Killers, The Magnificent Ambersons, Empire of the Sun, East of Eden, What’s Opera Doc?, Annie Hall, Invasion of the Body Snatchers, Sherlock Jr., The Gold Rush, Lost Horizon, The Awful Truth, The Best Years of Our Lives, 1776, The Big Parade, Trouble in Paradise, Frankenstein, Stagecoach, Marty, Duck Amuck, The Ten Commandments, Singin in the Rain, Splendor in the Grass, The Hunchback of Notre Dame (Laughton), The Wedding March, The Shining, Mildred Pierce, The Apartment, Double Indemnity, Manhattan, The Lady Eve, King Kong, Ruggles of Red Gap, David and Lisa, The Man from Laramie, The Naked Spur, All About Eve, Meet Me in St. Louis, One Flew Over the Cuckoo’s Nest, Apocalypse Now, and endless others is total blasphemy. But keep in mind that this polling is aimed at getting one’s “favorite” films, though many will combine the perception of “favorite” and “great.” So be it. Here are my own Top 40 “favorites” listed alphabetically. (NOTE: The Godfather and The Godfather II are separate films. And…..Whether American cinema is the greatest of all cinemas is up for debate, but what is NOT up for debate is that when it comes to diversity of genre, it is far and away the most supreme.)

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by James Clark  2023

        At the conclusion of her brilliant career, filmmaker, Claire Denis, staged a couple of shocking films (far beyond her usual mayhem). The first entry, Both Sides of the Blade (2022), amounts to a protagonist-humanitarian, concluding that blacks in France are ruinous. The second film (with its second humanitarian), Stars at Noon (2022), chooses philosophy; but getting to the nub is a bugger; and a treasure. In fact, we must visit the precinct of Marcel Proust (1871-1922), in order to understand Denis’ venture, her disappointment and her glee. Proust and the landslide of advantage. His hopeless bid to break free from it. Finding in tiny moments what he meant.

It needs to be repeated. Despite great filming, these actions had moved toward philosophy. (Coming to the gut.) As such, Denis had dared to visit the turf of novelist Marcel  Proust. From that vantage point, she would visit the old errors, so molten. Thereby, in the film, Both Sides of the Blade, we glimpse remarkably in intensity, hatred  and lostness. Thereby, we reach out to our film today, Stars at Noon. The end of planet Earth.

Trish, the protagonist, is not what we need; however, she stands as a flowing horror. Could her fear stage a comeback? Otherwise, why would an American woman move to a place like Nicaragua, and its military nonsense. Her mission of humanitarian good is clearly bogus. Her long involvement in foolish danger is more to the point. (Recall, many years ago, Denis produced a TV show called, U. S. GO HOME.) (more…)

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by Sam Juliano

I have been as busy as a beaver this past week attending to the submitted edits on my second novel, Irish Jesus in Fairview.  I believe I can wrap things up on that front in about eight more days, at which point I would send the revised manuscript over to my second-stage editor, Bill Kamberger.  Meanwhile, I await my artist, Andrew Castrucci, to complete his work.  I look forward to resuming my authorship of Roses for Saoirse.  I should be hearing from our film writer extraordinaire, Jim Clark soon with his new essay.

Lucille and I did manage to see two films in the theater.  Living with Bill Nighy, (seen at the Montclair Clairidge) was a wonderful revision of Akira Kurosawa’s Ikiru and the less said about M. Night Shyamalan’s Knock at the Cabin, (seen in Teaneck on a Friday night when temperatures hovered around 0 degrees) the better! Ha!

I have finally finished my list revision of the 20 Best Films of 2022, after I saw all that was needed to be watched.  It is as follows:

FINAL REVISION ON MY TOP FILMS OF 2022 LIST (20 films in alphabetical order)

Aftersun (Charlotte Wells) UK
All Quiet on the Western Front (Edward Berger) Germany
All the Beauty and the Bloodshed (Laura Poitras) USA
The Banshees of Inisherin (Martin McDonagh) Ireland
Un beau matin (Mia Hansen-Love) France
Benediction (Terence Davies) UK
Close (Lukas Bhont) Belgium/Holland
EO (Jerzy Skolimowski) Poland
The Fabelmans (Steven Spielberg) USA
Illusions perdues (Xavier Giannoli) France
Living (Oliver Hermanus) UK
No Bears (Jafar Panahi) Iran
The Quiet Girl (Colm Bairead) Ireland
RRR (S.S. Tajamouli) India
Saint Omer (Alice Diop) France
Till (Chinonye Chukwu) USA
Triangle of Sadness (Ruben Ostlund) Sweden
Vortex (Gasper Noe) France
The Whale (Darren Aronofsky) USA
Women Talking (Sarah Polley) Canada
HONORABLE MENTION: (also in alphabetical order) Armegeddon Time (USA); The Black Phone (USA); Blonde (USA); Broker (Japan); Bros (USA); Corsage (Germany); Decision to Leave (South Korea); Devotion (USA); The Falls (Taiwan); God’s Country (USA); The Inspection (USA); The Menu (USA); She Said (USA); Sundown (USA); Tar (USA); To Leslie (USA); 13: The Musical (USA).
NOTE: My great Canadian friend, the film scholar Todd Sherman, has humbly asked me in private discussion to identify the films I thought were the very best, in an effort to have me pare down the list even further. His suggestion does make a lot of sense, and gives me a further challenge. Here are my Top half-dozen (6) in alphabetical order: Aftersun; Benediction; Close; The Quiet Girl; Saint Omer; Women Talking.
ALSO: Only 4 films in my Top 20 are American-made.

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