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by Allan Fish

A bit of a blast from left field, this is what I hope will be the first in a series of pieces on WitD contributors greatest sporting moments from their lifetime.  I say from their lifetime in that these events must have taken place while you yourself were breathing and not before.  In my case, this rules out anything pre 1973, from Pele’s Brazil to Arkle in full flow to Jim Laker’s 19 wickets in a test to Roger Bannister’s four minute mile.  This list will doubtless be radically different to anyone else’s.  Baseball, American Football and Basketball are completely absent and ice hockey only gets one mention – and that hardly needs an introduction.  So let’s get that out of the way first.

30 – USA beat USSR, Olympic Ice hockey final, 1980, Lake Placid

Better and more knowledgeable writers than yours truly have already waxed lyrical about this, but I remember watching this at the age of 6 or 7, cheering on the States against the Russians and not really being old enough to take in the ramifications.  You don’t need reminding, but here…

http://www.youtube.com/watch?v=NuBcvNmsVvs

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by Allan Fish

This post is a contribution to the third annual For the Love of Film blogathon and fundraiser, which will be running from May 13-18. This year, hosts Marilyn Ferdinand, Farran Smith Nehme and Roderick Heath have dedicated the week to Alfred Hitchcock, whose early (non-directorial) work “The White Shadow” will be the beneficiary of any money earned during the event.  The film preservation theme of course is at the center of this cinematic lament.  We can certainly hope for  a miracle. Be sure to donate!]

https://npo1.networkforgood.org/Donate/Donate.aspx?

In discussions regarding film preservation, what often gets lost in the mélée is at what cost our slowly awakening ourselves to the problem has come.  Lost films are a source of anguish to film connoisseurs and historians.  A read through the timelines on this site’s right menus will showcase just what treasures have been lost to us.  The degree of loss varies, of course.  In most cases the entire film is lost.  In others it’s only a portion that’s lost, in a few we have snippets surviving, from the 10 seconds or so of the Theda Bara Cleopatra (1917) to the one or two scenes of The Way of All Flesh (1927) – with the only lost Academy Award winning performance, by Emil Jannings – to films whose trailers survive and whose films do not.   The documentary Fragments (2011), financed by TCM, showcased many of these lost films and what footage we have of them.  In the spirit of that programme, I present a personal choice of 25 lost films most mourned by this writer.  I leave aside the legendary lost cuts of Foolish Wives (1921), Greed (1924), The River (1929), The Magnificent Ambersons (1942), The Red Badge of Courage (1951) and the original six hour Cleopatra (1962) as we at least have them in butchered versions through to their conclusions.  These 25 were not so fortunate.

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Kids in Hirokazu Kore-eda’s ‘I Wish’

by Sam Juliano

With spring weather upon us in full flower, outdoor activity has allowed many to do things that have long been sitting on the back burner.  Hope all those Moms out there had the best Mother’s Day ever on Sunday!  Thanks again to Dee Dee for her heart-felt attention to the special day on the sidebar and in the forwarding of cards by e mail.   Meanwhile, concrete steps have now been taken to launch the upcoming Comedy Countdown at Wonders in the Dark when a group e mail was sent this past week to all prospective participants, who have been urged to hand in a ballot with pointed specifications by July 1st.  It is currently planned and anticipated that the countdown will begin in late July and will feature a Top 60, to be posted Monday through Fridays.  Obviously if these plans come to pass as expected, the countdown will run until late October.

The For the Love of Film blogothon is officially underway at Ferdy on Films and at the sites of Roderick Heath and The Self-Styled Siren and will run through this coming Friday, May 18.  Allan Fish’s stupendous post on lost films captures the spirit of this venture in every sense imaginable, and is presently sitting above the MMD today.  My own contribution will be posted this coming Thursday, in a switch with Allan’s post, which was supposed to go up that day, but which has been moved ahead.  It should be quite a week for Marilyn and all the others here in their glorious annual venture.

Elsewhere, R.D. Finch’s William Wyler blogothon at The Movie Projector has drawn a week closer.  I will be contributing an essay on Ben-Hur, but over at The Dancing Image our dear friend Joel Bocko has written his own piece on the film:

http://thedancingimage.blogspot.com/2012/05/ben-hur.html

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by Allan Fish

Again, results first…

Best Picture Bringing up Baby, US (5 votes)

Best Director Sergei M.Eisenstein, Alexander Nevsky & Alfred Hitchcock, The Lady Vanishes (6 votes each, TIE)

Best Short Violent is the Word for Curly, Charley Chase, US (4 votes)

Best Actor Cary Grant, Bringing up Baby (3 votes – gives you an idea how the vote was split)

Best Actress Katharine Hepburn, Bringing up Baby (6 votes)

Best Supp.Actor Basil Rathbone, The Adventures of Robin Hood (5 votes)

Best Supp.Actress May Whitty, The Lady Vanishes (11 votes)

Best Score Sergei Prokofiev, Alexander Nevsky (7 votes)

And my choices…

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By Bob Clark

This past week has seen a fair number of developments on the American fronts concerning civil rights and prejudice in national politics, all revolving around the  discussion of broadening civil liberties for gays and lesbians. Starting with Vice President Joe Biden’s off-the-cuff comments on Meet the Press last Sunday, we’ve seen the Obama administration adopt a strikingly accepting tone for the question of granting full marriage rights to same-sex couples, a step that far exceeds the positions taken by past Democratic office-holders and candidates in the recent past, culminating in the bombshell announcement on Wednesday of the President’s full personal support for marriage equality. Many have looked at this development on purely cynical, partisan competition-minded terms– Biden’s usual hoof-in-mouth elocution stylings forcing Obama to either dispute him and risk losing the Democratic base, or match him and risk losing the rest of the country; the possible motivations of mobilizing said base of younger, more open-minded voters and, more likely, the millions upon millions of funds to be secured from liberal donors. But in my eye, it’s merely been a long-overdue definition of terms that most of us already assumed existed something like this in the first place– Obama didn’t so much come to this decision after long years of soul searching as much as he held in an opinion for a long time that was bound to be controversial, and came out of the closet about it.

Granted, as a mere personal belief as opposed to a public policy statement it doesn’t make a whole lot of difference as far as the way of the nation goes, but as a part of the larger discourse concerning gay rights and prejudice in all forms across the country, it stands as a prime example of the bully pulpit put to good use. It’s especially iconic coming from a President whose very election counters its own centuries-old tide of bigotry and reaffirms the very egalitarian ambitions that helped found the Republic to begin with, and even more especially so considering many of the recent revelations about the presumptive Republican nominee’s past as a prep-school bully who once helped hold a classmate down and cut off his hair, to boot. And as a part of the even larger cultural conversation about the increasingly hostile pattern of physical and emotional bullying in and out of  schools over matters of race, gender, sexual orientation or just plain not-fitting-in, the President’s open-arms endorsement of tolerance over the course of his first term in office and especially this past week stands as one of the defining aspects of his administration (indeed, if the Republicans have their way, it could wind up the only defining aspect that can’t be legislated or litigated into obscurity). As such, between these recent events and the higher profile that Marvel comics have had in recent weeks for obvious reasons, the time seems right to revisit one of the other major comic-book adaptations of the past ten years, and one that adheres remarkably close in spirit to a specific graphic-novel whose very essence is dedicated to the questions of prejudice and bigotry in all its forms. The film in question is Bryan Singer’s X2, and its source material the vaunted God Loves, Man Kills, from 1982.

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by Allan Fish

Not too long ago, I recall Sam sending me a link to an upcoming series at Manhattan’s Film Forum about the great Japanese actresses.  Various works would be highlighted accommodating the five women who they saw as the queens of Japanese cinema; Isuzu Yamada, Kinuyo Tanaka, Setsuko Hara, Machiko Kyo and Hideko Takamine.  One couldn’t argue with their description of these as greats, each one of them a shoe-in to any serious film lover’s Hall of Fame.  And yet I recall thinking “what a wasted opportunity“.

At the end of the day one could hardly blame the Film Forum management for going the obvious route.  Had the season been done a decade earlier Takamine wouldn’t have even been there as the films in which she was best showcased, for Naruse, Gosho and Kinoshita, were unavailable or even unknown in the US at the time.  And the Forum had to make money, and who would come to watch films they have never heard of.  Yet it was a series that should have made me yearn to be Stateside and in the end it wasn’t.  The reason was that other Japanese goddesses were too noticeable by their absence.  Continue Reading »


by Jamie
Jumping into the Progressive rock genre this week, a grouping we’ll remain in for a number of weeks, I must start with an admission: this isn’t my favorite set of bands or artists (mostly because it isn’t my favorite pop music style). Several of them, in fact, I have exhibited a casual (to red hot) dislike towards in the passing several years. Then on the other hand, several of the bands I listened to and enjoyed in my youth, specifically about 10 to 15 years ago when the longer form appealed a bit more to my sensibilities.
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