by Sam Juliano
‘Those who do not weep do not see’ -Victor Hugo
Art is manipulative. Whether its creator’s intent is to spur humor or consternation, or move the work’s viewers to the depth of their being, there is always a conscious and overriding intent to embolden and exhilarate through a direct appeal to the emotions. Da Vinci, Rembrandt, Mozart, Beethoven, Dostoyevsky, Shakespeare, Dickens and Dante succeeded as well as any others in the pantheon of Western culture. Then there’s Victor Hugo, whose 1862 novel Les Miserables, written on wide canvas of suffering, injustice and loss, asserted that love and compassion are the most important gifts one can forward another in this life. Hugo takes his case even further when he proposes that “To die for lack of love is terrible, the asphyxia of the soul” and “To love or have loved, that is enough. There is no other pearl to be found in the dark folds of life.” Hugo’s sprawling novel, with it’s emotional epiphanies and character-driven melodramatic narrative was meant to be a transformative work, one aimed to spur government reforms, especially within the justice system and the unjust class structure in nineteenth-century France, one that turns good people into beggars and criminals. With it’s larger than life characters and lofty philosophical themes, Hugo’s novel was a perfect subject for the cinema, and tailor-made for some kind of operatic transcription. To be sure there have been dozens of film adaptations of the epic work dating back to the silent era all the way up to a 1998 adaptation by Bille August with Liam Neeson and Geoffrey playing Valjan and Javert. The number of times filmmakers worldwide have turned to Hugo’s novel may well in fact be within hailing distance of Stoker’s Dracula and Dickens’s A Christmas Carol. The best of these versions was Raymond Bernard’s four-hour plus epic of 1934, which is the most faithful to the source, and a 1935 Hollywood treatment with Fredric March and Charles Laughton in the leads that is well acted and mounted but substantially truncated. (more…)