by Pat Perry
In 2007, Nathan Rubin memorably coined the term “Manic Pixie Dream Girl” to capture a familiar character/trope in romantic comedy: “that bubbly, shallow cinematic creature that exists solely in the fevered imaginations of sensitive writer-directors to teach broodingly soulful young men to embrace life and its infinite mysteries and adventures.”
There is probably no earlier or better example of this archetype than the character of Susan Vance (unforgettably played by Katherine Hepburn) in the legendary screwball farce Bringing Up Baby. From the first time we glimpse her, striding purposefully onto a golf course, till her final moments in Cary Grant’s rescuing grip as she dangles from a rapidly crumbling dinosaur skeleton, we know that Hepburn’s Vance is a force of nature, giddily marching to the strange rhythms humming inside her own, impenetrable brain – and absolutely the right match for Grant’s befuddled, deadly serious paleontologist.
If “manic pixie dream girl” has come to be understood as a pejorative, it’s likely because this sort of pixilated dynamic is a tricky thing to pull off – often imitated, rarely duplicated. Two outright homages to Bringing Up Baby – Peter Bogdanovich’s What’s Up Doc? and James Foley’s Who’s That Girl? have had varying degrees of success (or, in the case of Foley’s film, no success whatsoever) in convincingly capturing the enchantment that a madcap, free- spirited woman can have over a shy, serious, man who’s about to marry the wrong woman. (more…)