by Sam Juliano
Elaine Magliaro’s interpretation of the essential activities facing both living and inanimate objects is governed by a subjective point of view. Though her intended readers can assume the role of each one of her subjects before and after she applies her delightful free verse to a diverse array of what we encounter on a typical day, it is best to submit to the sensory allure of a book fully committed towards erasing the pangs of ennui by way of a spirited tour chronicling the expected manner each chosen article plays in a scene-specific situation. Magliaro sets a desired tone by instructing her gifted illustrator Catia Chien to enlarge and color code key words in her verse, which are not restricted to any single part of speech. Appropriately enough the book launches with the responsibilities of dawn, which “shoos away night” and “wakes up the sleeping sun” while simultaneously inducing songbirds to do their thing and letting “dreams drift away.” A young girl and dog are first seen in an impressionist spread documenting the arrival of a new days as light filters through an open window in a living room dominated by delicate rendered purple hues.
Birds know well the consequence of missed opportunities and the likelihood of a second chance not availing itself anytime soon. Magliaro implores our feathered friends to take full advantage of the unfaltering mantra, “Fist come, first served” by descending down to a lawn where feed has been offered up. A delay will undoubtably result in other birds “seizing the day.” When breakfast has been negotiated the poet advocates airborne tenacity: Stretch out your wings on the brightening sky. Morning’s upon us. Get ready to fly! Chien’s overhead capture is an impressionist gem, featuring the metaphorical image of a bird sporting the wing span and tail of an airplane in a now busy sky of many other airborne creatures evoking Richard Bach’s line from his famed 1970 novella: “and the word for breakfast flock flashed through the air, till a thousand seagulls came to dodge and fight for bits of food.” The artist makes lush use of saturated acrylic red and green projecting out from the flicked brown and tan cross strokes in a scene witness by the intrepid young girl and her inveterate canine. (more…)