by David Schleicher
Malick’s sublime 2011 masterpiece, The Tree of Life, invites you to watch it as a child…and loudly, the producers remind us on the Blu-Ray – not just to hear all the philosophical whispering and pining that highlights the voice-overs, but to sit in aural awe of the classical music and natural sounds that paint with Lubezki’s fluid imagery a cacophony adjacent to dreaming.
Remember the first time you heard a piece from Beethoven as a child but didn’t know exactly what it was, only that it made you feel something you hadn’t before?
We never know exactly what happens in The Tree of Life. A middle child of three dies at some point, while an older one lives his adulthood in a sterile corporatized environment that couldn’t be further from the Texas Eden he experienced as a child – all of the family lives, loves, pines, mourns, remembers, but in transient states inter-spliced with meditations on the nature of nature, the meaning of life, religion, social mores, grief, motherhood, fatherhood, brotherhood and a cosmic tapestry that denotes the beginning and ending of time. All meaning what? We long for that meaning (just as a child – born in the natural state of a scientist – longs for answers to the questions they observe). But instead, we are summoned to a cinematic cathedral to experience some grand impressionism…where all was formed in childhood.
To claim The Tree of Life is not a film about childhood is akin to claiming one’s childhood experiences have no bearing on how they turn out as an adult. Childhood is paramount both in life and this film. (more…)