Director and Producer: Orson Welles
Screenwriters: Orson Welles, William Castle, Charles Lederer, and Fletcher Markle
Cinematographer: Charles Lawton Jr, Rudolph Mate, and Joseph Walker
Music: Heinz Roemheld
Studio: Columbia Pictures 1948
Main Acting: Rita Hayworth and Orson Welles
Double and triple crosses. A femme fatale with dubious motivations. A scheming rich husband. Unsympathetic characters with few redemptive qualities. I could be describing the majority of film noirs. I could also be describing The Lady From Shanghai. Welles got to direct his then beautiful wife Rita Hayworth and does the most perverse thing imaginable…he orders her to cut her flaming red hair short and bleach it blonde. Take the biggest female star at the time and render her unrecognizable—what more proof could you need to acknowledge that Welles was someone who welcomed controversy and thrived on tension and conflict. To make matters worse—or more appealing, depending on whom you ask—he created an ultra-convoluted story that is hard to follow and even more difficult to decipher. In fact, the knotted complexity of Welles’ noir classic picks up right at the beginning with Michael O’ Hara’s tongue-twisting opening monologue that begins: (more…)